203 - ROPS, Félicien, 7 prints. Etchings (except 2) (some plates (slightly) browned). 1. The Farewell at Auteuil. 1869. Etching, drypoint, aquatint, 23.5 x 16.2 cm (image), 28.7 x 18.0 cm (plate), wove paper, plate signed, dated (margins foxed with browning, watermark in lower margin). - 2. The Arietta. 1874. 25.5 x 17.6 cm (image), 30.9 x 21.0 cm (plate), laid paper, plate signed (with pseudonym "V. Niederkorn"), dated, signed in pencil (edges folded, slight creases in margins). - 3. Dimanche. Soft-ground etching, 16.1 x 18.9 cm, wove paper, plate signed (foxing, tape on edges on the reverse). Mounted at the upper edges, under a mat. - 4. The Pilots’ Canteen Lady. Soft-ground etching, 20.5 x 12.9 cm (image), 26.1 x 17.8 cm (plate), Japanese paper, signed in pencil (2 small tears along the edges, some marginal rubbing, 2 marginal spots, marginal pinholes, tape along the edges on the reverse with visible glue marks on the obverse, 2 small traces of varnish on the image). - 5. The Hanged Man, or Mother Gand and Her Son Charles. 20.3 x 13.7 cm (image), wove paper (marginal tears, a few small losses, left edge frayed). Mounted at the right corner.- 6. The Lord of Lumey. Etching, drypoint, 20.1 x 13.3 cm (image), wove paper (a few marginal spots, tiny tears along the edges, one with a loss). Mounted at the right corner. - 7. The Drinker. 20.2 x 13.2 cm (image), wove paper, plate signed (a few spots, a small tear on the edge, small losses at the upper corners). Mounted at the upper edges, under a mat. Ref. Rouir 942.V (of V), 954.V (of VI), 608.I (or IV?) (of IV), p. 24, fig. 12, 860.II (of VI), 861.II (of V), 854.II (of IV). - Exsteens 216.V (of V), 221.V (of VI), 289.II (of III), 291, 468.II (of IV), 469.IV (of V), 470.II (of III).