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Description

The painting depicts the famous Greek mythology of the centaur (Nessus) known for his famous role in the story of the Tunic of Nessus. After carrying Deianeira, the wife of Heracles, across the river he attempted to have intercourse with her. Heracles saw this from across the river and shot a Hydra-poisoned arrow into Nessus's breast. Signed and dated on the lower left. Provenance: The Collection of William Cervera (5/31/51 - 3/15/22), New York. Footnote: Born in Palermo, Italy, Farruggio came to the U.S. in 1918 and became a citizen in 1924. He studied at the National Academy of Design, then in Paris at the Beaux-Arts Institute, and at the New York School of Industrial Art with Monhegan artist, A.J. Bogdanove. In the late 1930's, he was a WPA artist, and it was through the Federal Art Project of the Works Progress Administration that he was awarded his first solo exhibition at the Julien Levy Gallery in New York City. He taught at the Federation of Artists School in Detroit, Michigan in the early 1940’s and in Portland, Oregon at the Museum Art School in the mid-1950s. Farruggio lived in New York City and had spent most of his summers in Provincetown, Massachusetts. However, Monhegan artists living near him on 28th Street lured him to their island. He quickly worked his way into the social fabric and spent summers living and making art at the Lobster Pot. Farruggio was well represented in galleries in New York, Mexico, and his native Italy. In 1950, his work was included in “American Paintings Today,” at the Metropolitan Museum of Art, and in the "International Watercolor Exhibition", at the Brooklyn Museum in 1955. In addition to the Julien Levy Gallery, he had many solo exhibitions, including one at the Galeria Arte Contemporaneo in Mexico City, and another at the Galleria Schneider in Rome. Dimensions: 45 1/4 x 39 1/2 in., (115.5 x 100.3 cm.) Perfect.

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The painting depicts the famous Greek mythology of the centaur (Nessus) known for his famous role in the story of the Tunic of Nessus. After carrying Deianeira, the wife of Heracles, across the river he attempted to have intercourse with her. Heracles saw this from across the river and shot a Hydra-poisoned arrow into Nessus's breast. Signed and dated on the lower left. Provenance: The Collection of William Cervera (5/31/51 - 3/15/22), New York. Footnote: Born in Palermo, Italy, Farruggio came to the U.S. in 1918 and became a citizen in 1924. He studied at the National Academy of Design, then in Paris at the Beaux-Arts Institute, and at the New York School of Industrial Art with Monhegan artist, A.J. Bogdanove. In the late 1930's, he was a WPA artist, and it was through the Federal Art Project of the Works Progress Administration that he was awarded his first solo exhibition at the Julien Levy Gallery in New York City. He taught at the Federation of Artists School in Detroit, Michigan in the early 1940’s and in Portland, Oregon at the Museum Art School in the mid-1950s. Farruggio lived in New York City and had spent most of his summers in Provincetown, Massachusetts. However, Monhegan artists living near him on 28th Street lured him to their island. He quickly worked his way into the social fabric and spent summers living and making art at the Lobster Pot. Farruggio was well represented in galleries in New York, Mexico, and his native Italy. In 1950, his work was included in “American Paintings Today,” at the Metropolitan Museum of Art, and in the "International Watercolor Exhibition", at the Brooklyn Museum in 1955. In addition to the Julien Levy Gallery, he had many solo exhibitions, including one at the Galeria Arte Contemporaneo in Mexico City, and another at the Galleria Schneider in Rome. Dimensions: 45 1/4 x 39 1/2 in., (115.5 x 100.3 cm.) Perfect.

Estimate 3 000 - 4 000 USD
Starting price 2 000 USD

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For sale on Sonntag 28 Jul : 13:00 (EDT)
new-york, United States
Helios Auctions
+16462907755
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Französische Schule; 1800er Jahre. "Herkules". Öl auf Leinwand. Bewahrt die ursprüngliche Leinwand. Maße: 59 x 73 cm; 78,5 x 93 cm (Rahmen). Formal ist diese Szene Teil des Akademismus, und folgt daher klassischen Standards, von denen die erste ist die hohe technische Qualität. So ist die Zeichnung streng und fest, obwohl man in der Konzeption eine Vorliebe für das Prunkvolle erkennen kann, typisch für die französische Schule und ihr Rokoko-Erbe. Der Akademismus ist ein direktes Erbe des Klassizismus, und daher die Vorliebe für Themen wie das hier vorgestellte, das der Mythologie entnommen ist, wenn auch unter einem sinnlichen und dekorativen Gesichtspunkt, der weit von der Feierlichkeit der antiken klassischen Kunst oder der Strenge der Quellen entfernt ist. Daraus ergibt sich auch die Art der Annäherung an das Thema, indem die mythologischen Figuren auf eine völlig neue Art und Weise wiedergegeben werden. Dennoch kann man ein Schönheitsideal erkennen, das nicht auf der Realität beruht, auch wenn das Naturstudium des Malers unbestreitbar ist, sondern auf einem Idealismus, der durch die Summe seiner Erfahrungen auf der Realität basiert, d. h. auf einer ästhetischen Sublimierung, die eine Schönheit widerspiegelt, die über die Realität hinausgeht. Das Werk stellt den Protagonisten in den Mittelpunkt der Szene. Er ist in das Fell eines Löwen gekleidet und hält mit einer seiner Hände einen Nagel in den Boden, was darauf hindeutet, dass er die Darstellung des mythologischen Helden Herkules ist. Neben ihm richtet eine Gruppe von Frauen und Kindern ihre Aufmerksamkeit auf den Halbgott, wobei in dieser Gruppe die Anwesenheit eines bärtigen alten Mannes hervorgehoben wird, der Harfe spielt und durch seine Geste etwas von dem Protagonisten zu fordern scheint. In der gleichen Einstellung, aber am anderen Ende der Komposition, richtet eine junge Frau mit einem Bogen ihren Blick auf einen Hund, während sie auf Herkules zeigt. Das Vorhandensein des Bogens und die Daten weisen darauf hin, dass es sich wahrscheinlich um die Darstellung der Göttin Diana handelt. Dahinter entwickelt sich skizzenhaft eine Szene mit drei Figuren, ein in mythologischen Gemälden sehr gebräuchliches erzählerisches Mittel. Herkules oder Herakles ist der berühmteste Held der griechischen Mythologie und vielleicht auch des klassischen Altertums. Sein Name leitet sich von der Göttin Hera und dem griechischen Wort "kleos" (Ruhm) ab, d. h. "Ruhm der Hera".