Null ITALIENISCHE SCHULE, ZWEITE HÄLFTE 17. JAHRHUNDERT. Belebte Landschaft. Öl …

Description

ITALIENISCHE SCHULE, ZWEITE HÄLFTE 17. JAHRHUNDERT. Belebte Landschaft. Öl auf Leinwand Es wurde eine Zuschreibung an den Kreis der in Italien tätigen holländischen Meister vorgeschlagen, wie Pietro Mulier, Il Cavalier Tempesta. 62,5 x 83,5 cm. Gefüttert. Leichte Verluste und alte Restaurierung. Empire-Rahmen aus stukkiertem und vergoldetem Holz, mit Schäden.

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ITALIENISCHE SCHULE, ZWEITE HÄLFTE 17. JAHRHUNDERT. Belebte Landschaft. Öl auf Leinwand Es wurde eine Zuschreibung an den Kreis der in Italien tätigen holländischen Meister vorgeschlagen, wie Pietro Mulier, Il Cavalier Tempesta. 62,5 x 83,5 cm. Gefüttert. Leichte Verluste und alte Restaurierung. Empire-Rahmen aus stukkiertem und vergoldetem Holz, mit Schäden.

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Estim. 2 000 - 2 200 EUR

GIOVANNI OFFREDI (Milan, 1927- 2007). Set of four rare vintage folding chairs, 1970s. In solid wood with an ingenious folding system using steel cables. Very comfortable with its original upholstery. Measurements: 85 x 60 x 48 cm. Set of 4 chairs with solid wood structure and brown upholstery that combines formal economy and elegance in its design. Straight, pure and robust lines combine with clean, geometric and simple shapes. The scissor legs are folded by steel cables for easy storage. Offredi was a leading Italian furniture and product designer of the second half of the 20th century. Unlike most other Italian furniture designers of his time, Giovanni Offredi was not an architect nor did he begin designing early in his professional career. Giovanni Offredi's earliest known furniture design works consist of exemplary furniture made specifically for some of Milan's wealthy families. In the late 1960s, Giovanni Offredi met Sergio Saporiti, owner of the Italian design store and furniture manufacturer Saporiti, and in 1970, Offredi formalized a collaboration with the furniture manufacturer, which was to be long and fruitful resulting in numerous highly precise, distinctly modern and innovative furniture designs that went on to considerable commercial success.

Estim. 3 000 - 3 200 EUR

Furniture-bar design, second half of the twentieth century. Beech wood. Metal handles. Measurements: 195 x 138 x 49 cm. The design of the furniture produced between the 1930s and 1980s fits perfectly in today's homes. The shapes, colors and materials of the mid-century furniture create a retro atmosphere bringing a unique and particular taste. The bar cabinet in tender is characterized by the strong geometric volumes and the formal purity of its structure, very much in line with the Italian design of the 80s. This structure stands out thanks to the bambi type stipe legs that support it, which give way to a curved table top on which the main body rests, distributed in two superimposed compartments. On the outside, the main frame is divided into panels, each corresponding to a folding door.

Estim. 20 - 30 EUR

Vier Fachbücher Design bestehend aus: Design, Die Sammlung des Museum of Modern Art, von Paola Antonelli; Provokationen, Design aus Italien; Italian Furniture Design von Albrecht Bangert; Design im 19. Jahrhundert, Museum für angewandte Kunst Köln, Format max. 4°, geringe Gebrauchsspuren.

Estim. 200 - 300 EUR

Eduardo Paolozzi, "Moonstrips" Plexiglasbox mit 63 von 100 eingelegten Blättern mit Texten und Siebdrucken, rückseitig Stempel "ea No. 489", eins von 500 Exemplaren, erschienen 1967 bei Editions Alecto, London, Box etwas berieben, Maße der Box ca. 40 x 28 x 5 cm. Künstlerinfo: eigentl. Eduardo Luigi Paolozzi, schottischer Graphiker und Bildhauer (1924 Leith bis 2005 London), Sohn italienischer Immigranten, 1945-47 Studium an der Slade School of Fine Art in London, ging 1947 für zwei Jahre nach Paris und hier kurzzeitiges Studium an der Ecole des Beaux-Art, ab 1949 Dozent an der Central School of Arts and Crafts und von 1955-1958 lehrte er Bildhauerei an der Martin´s School of Art, ab 1952 Mitglied der Independent Group, 1959, 1964, 1968 und 1977 Teilnahme an den documenten in Kassel, 1960 Teilnahme an der XXX. Biennale in Venedig, 1960-62 Gastprofessur an der Hamburger Hochschule für Bildende Künste, 1968 Einzelausstellung in der Kunsthalle Düsseldorf, ab 1979 Mitglied der Royal Academy of Arts, 1981 bis 1989 Professur an der Akademie der Bildenden Künste in München, 1989 von Königin Elisabeth II. zum Ritter geschlagen, 1994 Ausstellung im Yorckshire Sculpturen Park, 1994 Übernahme eines Großteils seines Werks durch die Scottish National Gallery of Modern Art, 2001 Hirnschlag und in dessen Folge auf den Rollstuhl angewiesen. Quelle: Bénécit, Saur, Wikipedia.

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