Null Perlenhalsband mit Farbverlauf, erstes Drittel des 20. Jahrhunderts. 18K Go…
Description

Perlenhalsband mit Farbverlauf, erstes Drittel des 20. Jahrhunderts. 18K Gold mit Platinansicht, Diamanten im Rosenschliff, Emaille und Zuchtperlen von 1,5 - 4 mm Durchmesser. Sicherheitskette aus silbernem Metall. 49 cm. 4,8 gr. Leichte Verluste in der Emaille.

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Perlenhalsband mit Farbverlauf, erstes Drittel des 20. Jahrhunderts. 18K Gold mit Platinansicht, Diamanten im Rosenschliff, Emaille und Zuchtperlen von 1,5 - 4 mm Durchmesser. Sicherheitskette aus silbernem Metall. 49 cm. 4,8 gr. Leichte Verluste in der Emaille.

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GEORGE NELSON (United States, 1908 - 1986) for HERMAN MILLER. Pair of armchairs 5681, 1960s. Steel frame. Fabric upholstery. Original condition with hardened foam. It is recommended to reupholster. Measurements: 72 x 80 x 82 cm; 40 cm (seat height). This pair of armchairs is in the midcentury design of the sixties, with a metal frame that houses soft seats and backrests. The design is fully modern but still conceived through dialogue with classic furniture. Worthy continuators of the international style. George Nelson graduated in architecture from Yale University (1928), and later studied art in Rome. He specialized in industrial, interior and exhibition design, and was, along with Charles and Ray Eames, one of the founding fathers of American modernism. While in Italy he traveled the length and breadth of Europe, meeting a number of pioneers of the modern movement, including Mies van der Rohe. In 1935 he joined the editorial staff of "Architectural Forum", a magazine of which he would first become associate editor until 1943, and then editorial advisor until 1949. During this period he worked with Frank Lloyd Wright on a special issue of the magazine, which marked Wright's return to the scene at the time. Nelson defended, sometimes fiercely, the principles of the modern movement, even irritating many of his colleagues who, as industrial designers, made, according to Nelson, too many concessions to the commercial forces of industry. The American believed that the work of a designer should serve to improve the world because, in his view, nature is already perfect, and man spoiled it by creating things that did not really follow natural rules. In 1945 Nelson began working for the firm Herman Miller, and it was then that he really began to design furniture, occupying the position of design director. That same year Nelson's first collection for the firm was published, beginning a collaboration that would result in some of the most famous furniture designs of the 20th century. Today his designs can be seen in the Vitra Museum of Design (he began collaborating with the firm in 1957) and the MoMA in New York, among many other public and private collections.

Nach "LE CORBUSIER" (Schweiz, 1887 - Frankreich, 1965), 80-90 Jahre. LC4 Chaiselongue. Metallstruktur und Lederpolsterung. Es präsentiert Bruch in einem der Lederhaken, die die Struktur mit der Abdeckung verbindet. Reste von Rost auf der Eisenbasis. Maße: 90 x 55 x 160 cm. Die Chaiselongue LC 4, die 1929 auf dem Salon d'Automne du Design vorgestellt wurde, ist das bekannteste Möbelstück von Le Corbusier. Es handelt sich um ein puristisches, radikales Design, das seinerzeit von der Kritik gelobt wurde und auch heute noch ein Klassiker des 20. Jahrhunderts. Diese moderne Ausgabe bietet mehr Komfort, da die Polsterung stärker gepolstert ist als beim Originalentwurf. Der Architekturtheoretiker, Architekt, Designer und Maler Le Corbusier, Schweizer mit französischer Staatsbürgerschaft, gilt als einer der klarsten Vertreter der modernen Architekturbewegung und als einer der einflussreichsten Architekten des 20. Jahrhunderts. Er entwickelte eine neue Architektur, die sich auf fünf Punkte stützt, die fortan für die Entwicklung dieser Disziplin entscheidend sein sollten: der freie Grundriss, die Gartenterrasse, die "Pilotis", das Längsfenster und die freie Fassade. Zu seinen bedeutendsten architektonischen Projekten gehören der Schweizer Pavillon der Cité Universitaire de Paris, die Unité d'Habitation in Marseille und die Kapelle Notre Dame du Aut. in Ronchamp. Als Möbeldesigner schuf Le Corbusier seine ersten Entwürfe zusammen mit Pierre Jeanneret und Charlotte Perriand und erhielt den entscheidenden Impuls auf der Pariser Kunstgewerbeausstellung von 1925. Schon seine ersten Stühle und Sessel waren auf Komfort ausgelegt und basierten auf anthropometrischen Studien, die eine völlige Anpassungsfähigkeit an den Körper garantieren. Der erste Entwurf, den Le Corbusier zusammen mit Jeanneret und Perriand entwirft, ist der 1928 vorgestellte Stuhl LC1, der sich durch eine höhenverstellbare Rückenlehne auszeichnet, die es dem Benutzer ermöglicht, die bequemste Haltung einzunehmen. Auf dem Salon d'Automne du Design 1929 präsentierte er seine Chaiselongue LC4, ein puristisches und radikales Design, das heute zu einem Klassiker geworden ist. Ebenso bekannt sind seine Entwürfe LC2, LC3 und LC5, ein-, zwei- und dreisitzige Sofas, die die Massenproduktion von modernen Möbeln revolutionieren sollten. Hervorzuheben sind auch die Entwürfe von Hockern und Esszimmerstühlen, wie der LC7, der 1929 auf dem Salon d'Automne vorgestellt wurde, oder der LC8. Le Corbusier, Jeanneret und Perriand versuchten, Möbel für alle Räume des Hauses zu entwerfen, und so schufen sie Stücke wie den LC9, einen Hocker für das Badezimmer, sehr einfach, mit Stoffsitz. Le Corbusier entwarf auch andere Möbel wie Tische und Regale. Seine Entwürfe werden heute von der italienischen Firma Cassina herausgegeben und sind in bedeutenden Sammlungen wie dem MoMA in New York oder dem Victoria & Albert in London vertreten.

NICOLAS MORIN (1959). Blown glass vase, 1997. Signed and dated on the base. Measurements: 14 x 16 x 16 cm. Nicolas Morin began working with glass in the family workshop in 1973. He traveled to Holland and Scandinavia in 1980, 81 and 82, where he had numerous contacts with glass artists (Wilhem Heessen, Sybren Valkema, Asa Brandt, Ulla Forsell, Ann Wolf, Wilke Adolfson, Monika Guggisberg and Philipp Baldwin, etc). He participated in the first International Symposium of Glass in France, in Sars Poteries, in 1982. He graduated from the School of Architecture of Marseille Luminy in 1984. He participated in the symposium "Art Verre Vin" in Saint Emilion 1984. He traveled to the United States in 1986. Exhibited at the "West Springfield Craft Fair". Collaborated with William Morris and Dale Chihuly in 1986. Held his first solo exhibition in Paris in 1987. He traveled to Scandinavia in 1992, where he visited in particular Finn Lingaard and Mikko Merikallio and Estonia to meet Vivii Ann Kerdo and Kaï Koppel, the first independent workshop in Eastern Europe. Participated in the International Symposium of blown glass in L'viv (UKR-1992) discovery of the Slavic part of the world of glass with the help of Catherine Sintès - Creation of a new line of sculptures with Catherine Sintès. Participated in the International Glassblowing Symposium of L'viv (UKR-1995). Participated in the Glass Symposium in Haapsalu (EST) in 2003, meetings with glass artists from the Baltic countries and the International Symposium of blown glass in L'viv (UKR-2004). He traveled to Japan with the presentation of Yoko Kuramoto and Makoto Ito in February 2005. He participated in the International Festival of Glass Stourbridge (UK, summer 2008).

"LE CORBUSIER"; CHARLES ÉDOUARD JEANNERET-GRIS (Switzerland, 1887 - France, 1965). LC1 chair. Chrome-plated metal structure and ponyhide upholstery. It shows marks of use and the passage of time. Measurements: 64 x 59 x 64 cm. The first design created by Le Corbusier, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a very simple stool for the bathroom, with a fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently published by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London. Architectural theorist, architect, designer and painter Swiss, naturalized French, Le Corbusier is considered one of the clearest exponents of the Modern Movement in architecture, and one of the most influential architects of the twentieth century. He developed a new architecture based on five points that would be key to the development of this discipline from then on: the free plan, the garden-terrace, the "pilotis", the longitudinal window and the free facade. Among his most outstanding architectural projects are the Swiss Pavilion of the Cité Universitaire de Paris, the Unité d'Habitation in Marseille and the chapel of Notre Dame du Aut. in Ronchamp. As a furniture designer, Le Corbusier made his first creations with Pierre Jeanneret and Charlotte Perriand, obtaining the definitive impulse in the Paris Decorative Arts Exhibition of 1925. Already his first chairs and armchairs were conceived in terms of comfort, and based on anthropometric studies that guarantee a total adaptability to the body. The first design that Le Corbusier created, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928 and characterized by a height-adjustable backrest that allowed the user to choose the most comfortable posture. He would continue to work along these lines, and at the 1929 Salon d'Automne du Design he presented his LC4 chaise longue, a purist and radical design that has become a classic today. Equally well known are his LC2, LC3 and LC5 designs, one-, two- and three-seater sofas designed to revolutionize the mass production of modern furniture. We must also highlight the design of stools and dining chairs, such as the LC7, presented at the 1929 Salon d'Automne or the LC8. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a stool for the bathroom, very simple, with fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently edited by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London.