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contact the auction house.
The reserve price is the minimum price accepted by the seller. Bidders cannot see this price. To win an item, you must place the highest bid and meet or exceed the reserve price.
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The converted amounts are provided for informational purposes only. Only the currency determined for the sale by the auction house is binding. You can select a different currency by going to the "Preferences" page in your profile.
Fees including the auction house's fees and the platform's fees. For further details, please refer to the auction house's General Terms and Conditions of Sale.
一对烛台;佛兰德斯画派,15世纪。 青铜,带古铜色包浆。 尺寸:25 × 19 × 13 厘米;27 × 26 × 14 厘米。 这对独一无二的人形烛台由古铜色青铜制成,将器物的实用功能与极具艺术价值的雕塑设计完美融合。每件作品均呈风格化的男性形象,留有胡须,身着束腰短袍,双臂伸展,托着托盘及两支蜡烛的烛座。 此类烛台属于欧洲照明传统的一部分,其中拟人化图案扮演着重要角色。在德国文献中被称为“Männleinleuchter”的这些具象烛台,其样式变体始于中世纪晚期,并延续至文艺复兴时期。 这对烛台与纽约大都会艺术博物馆馆藏编号为01.23.1的人形烛台有着特别有趣的对应关系。这一实例使我们能够将具象照明器具的传统置于历史语境中,并研究中世纪晚期至近代早期金属雕塑与应用艺术之间的关系。 15世纪期间,南尼德兰的工坊生产了大量用于宗教和家庭用途的金属器物。布鲁日、根特和布鲁塞尔等城市的繁荣,促进了专业工匠的发展,并推动了设计与技艺在欧洲各中心之间的传播。 在此背景下,照明器具承担着双重角色:它们既满足实用需求,同时又通过其材质的精良与设计的独创性,彰显了拥有者的社会地位。
Delivery is optional. You can use the carrier of your choice. The stated price does not include the lot price or the auction house fees.