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科克托 让(1889-1963)。 亲笔签名手稿,署名“让·科克托”[1950年7月];1页,in-4开本(收件戳日期为1950年7月11日)。 关于克里斯蒂安·贝拉尔在电影《奥菲斯》中的工作。 说明: “如果我没记错的话,《奥菲斯》应该是克里斯蒂安·贝拉尔在《斯卡潘的诡计》之前完成的最后一部作品。他当时住在我乡下的房子里。 我负责写作,他负责绘制分镜。夜里我常被惊醒,便去他的房间叫醒他,请他帮我解决影片中数不胜数的问题。 既要保留神话的脉络,又要让整体贴近我们的现代生活习惯。必须扼杀抒情性,然后以另一种更隐秘的形式使其重生。贝拉尔正是这种‘巫术’的大师。 乔治·奥里克加入我们后,我们向他展示了剧本以及我正在展出的那些精彩绝伦的大型水粉画。贝拉尔曾说:“奥菲斯的死亡必须极尽优雅,因为死亡只关注自身。”死亡却使我失去了他的帮助。 我不敢将这项工作托付给任何其他人。我寻找与他的探索相契合的真实地点,最终找到了圣西尔军营的废墟。但他的建议一直指引着我,至今仍是如此。即便死后,他仍在监督着每一个细节。”
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