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让·梅津格(1883-1956) “大熊座舞会”。巴黎俄罗斯艺术家联盟。海报。1925年。石版画。[320 x 500 毫米]。彩色印刷。 精美的羊皮纸印本,画面下方由娜塔莉亚·贡恰罗娃用钢笔和墨水题写“献给马里内蒂”并签名,右下角有巴黎俄罗斯艺术家联盟秘书的批注,已装裱。 中间有斜向折痕。距下边缘15毫米处另有常规中间折痕。四边均有留白。带有AABM印章(Lugt 3075)。 菲利波·托马索·马里内蒂(1876-1944)与娜塔莉亚·贡恰罗娃 (1881-1962)在20世纪初未来主义与俄罗斯先锋派兴起之际,既保持着密切联系,也存在重大的思想分歧。贡查罗娃批评这位同行所领导的运动存在厌女倾向:“ 贡恰罗娃写给菲利波·托马索·马里内蒂的一封信草稿便是明证,该信很可能写于1914年马里内蒂访问俄罗斯期间,其法语原件被引用于J.鲍尔特和M.德鲁特编著的《前卫亚马逊女战士》(Amazonki avantgarda)一书的俄文版目录中,该书由莫斯科出版, Galart,2000年出版的《前卫亚马逊女战士》一书的俄文版中引用了这封信的法文原件:‘女性是好母亲、好妻子、好情人、好同志、好工人,没有理由轻视她们。在俄罗斯,‘??????? - 指代两性的人类。这一切构成了人际关系和我们的民族性。”(蓬皮杜中心,“俄罗斯先锋派亚马逊女战士”展览,2021年)。
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