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† 一对尺寸宏大、雕刻精美的竹制“莲间蛇蟾”网纹花瓶 日本,19世纪晚期,明治时期(1868-1912) 以厚实竹段精湛雕制而成,每件均为高大的中空圆柱形,采用高浮雕与镂空技法,精妙刻画出强健的蛇身盘绕于茂密的荷叶、荷花及纤细的荷茎之间。 其中一只花瓶描绘了一条大蛇紧紧盘绕在竹身之上,蛇头低垂向一只慵懒地栖息在叶丛中的肥硕蟾蜍,二者近在咫尺地对峙着。 另一只配套花瓶则呈现出更为戏剧性的场景:一条蜿蜒的巨蛇用利齿牢牢咬住一只挣扎的蟾蜍,而另一只蟾蜍则蹲踞在花瓶上沿,似乎正在观察下方的场面。一个特别迷人的细节是,还有一只蟾蜍的小脚正消失在密集雕刻的植物间的一道狭窄缝隙中。 蛇的塑造极具写实感,肌肉发达的身体覆盖着精心刻画、层层叠叠的鳞片,腹鳞细节精妙,头部宽大,一双圆睁的眼睛神采奕奕。周围的荷叶采用深镂空工艺,叶脉细腻,其舒展交叠的形态营造出深度与开放空间的惊艳互动。 竹子的暖红色调与凹陷处积聚的深色包浆,进一步突显了表面丰富的质感。 高度 48.2 厘米 品相:品相极佳,仅有轻微磨损,边缘有小缺口,以及典型的岁月裂纹。 蛇与蟾蜍之间的戏剧性对峙是日本艺术中广受推崇的题材,让人联想到传统谚语“hebi ni niramerareta kaeru”(“被蛇凝视的青蛙”),用来形容某人在面对强大对手时因恐惧而束手无策或浑身僵硬。 本对雕像对这一熟悉的意象进行了尤为生动的诠释:一只蟾蜍表现得近乎滑稽地镇定自若,似乎完全不受对峙蛇类的干扰;而另一只则已落入捕食者的利齿之中,命运堪称戏剧性。 雕刻非凡的写实主义风格和富有表现力的细节赋予了作品引人入胜的叙事感,既捕捉了这场遭遇战的悬念,也展现了其高潮时刻。 除买方佣金外,还将向落槌价加收13%的增值税——仅适用于欧盟境内的买家。
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