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金光山:一件精美且尺寸宏大的萨摩烧“山景与亭台”盘 金光山公司制作,印有“金光山”印章 日本,20世纪早期,明治(1868-1912)至大正时期(1912-1926) 此圆盘胎体制作精良,盘壁浅而圆润,由短直的底足支撑。 内壁在通透且布满细腻开片纹的釉面上,以多色珐琅精美绘制并饰以细腻的镀金,描绘了一幅壮丽的山岳景观:巍峨锯齿状的山峰耸立于辽阔的水域之上,山顶在柔和镀金的天空下隐没于雾霭之中。 陡峭的悬崖上密布着松树和绿叶,呈现出绿色、金色和赤褐色的微妙色调,其间点缀着多层亭阁和隐于岩石间的幽静居所。 一侧,瀑布从陡峭的岩峡倾泻而下;下方,小人偶们沿着蜿蜒的小径漫步,穿过横跨溪流的狭窄木桥。另有几座凉亭俯瞰水面,小船在宁静的水域上航行,远处的山脉逐渐隐没于雾霭之中。 整幅作品以非凡的精准度和非凡的氛围深度呈现,并由一条狭窄的镀金边框镶边。画面背面压印有“金光山作”印章。 直径 30.5 厘米 品相:品相极佳,无可见损伤或修复痕迹(经紫外线检查)。仅鎏金处有轻微的正常磨损。 金光山(Kinkozan)公司曾是京都萨摩(Kyoto Satsuma)陶瓷中最负盛名的生产商之一,以其极其精美的釉彩绘制技艺和精妙的镀金工艺而闻名。 本盘是该工坊绘画风格的杰出范例,汲取了受中国山水画传统启发的艺术精髓。与常与出口型萨摩瓷器关联的繁复装饰构图不同,此处的装饰被构思为一幅连贯而辽阔的山水画卷。 精雕细琢的建筑、嶙峋的岩层以及渺小的人影,与柔和渐变的山峦及闪烁着金光的晴空形成了绝妙的对比,营造出非凡的远近感与深度感。尤其值得称道的是,前景的精细细节与远景含蓄而富有氛围感的处理之间达到了和谐的平衡。 拍卖对比: 可参考金光山创作的一件相关的小型萨摩瓷碟,该作品同样以充满氛围感的山水画著称,人物从雾霭中浮现,直径22.1厘米,曾于2026年6月12日维也纳Zacke“日本精品艺术”拍卖会上作为第154号拍品(成交价 2026年6月12日,维也纳,拍品编号154(成交价 6,500欧元)。
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