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潘克拉斯·贝萨(Pancrace BESSA,1772-1846) 《静物与花束》 埃库安,约1844年7月。 达盖尔银版照相法,半板尺寸,横向构图,图像未矫正。 镶嵌于带八边形窗口的白色裱框内。 印记:圆圈内的八瓣玫瑰花纹;矩形饰框内的数字“30”(编号1/30),与《圣阿塞尔风景》上的印记相同。 16.8 × 10 厘米(可见部分) 来源 埃库安(Écouen)家族;约四十年前与同一组中的另外两块底板一同被发现。 三件仿古石膏雕像:一位撩起衣襟的维纳斯,属于“美臀维纳斯”(Vénus Callipyge)类型; 怀抱幼年狄俄尼索斯的西勒诺斯;以及一尊双臂缺失的裸体维纳斯。它们之间,一个饰有帷幔纹样花瓶中插着一束鲜花。地面上散落着贝壳、一只标本鸟和一幅风景版画;墙上挂着一幅装裱好的铜版画。 一位花卉画家的画室为镜头精心布置:画室里的古董、从埃及带回的贝壳,以及代表其职业的花束。 这是一次发现:一位与尼埃普斯同代的摄影师,创作了一幅承袭巴亚尔、达盖尔和于贝尔精神的影像。
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