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伦勃朗·哈门斯·范·莱因(1606年莱顿—1669年阿姆斯特丹),《艺术家以模特为范本作画》(“皮格马利翁的雕像”)。 在水纹纸上进行的蚀刻和干刻版画,带有“斯特拉斯堡百合”水印及首字母缩写PR(辛特丁,变体E'.a.b.)。(约1639年)。23.4 x 18.5 厘米(纸张尺寸)。 巴奇 192;怀特/布恩 192 II(共 II 幅);欣特丁/鲁特格斯(《新霍尔斯坦》)176 III(共 VI 幅)。 这是《新霍尔斯坦》中第二版(共四版)的一幅极佳印本,印迹呈现丰富的干刻毛刺和细腻的垂直擦拭划痕,上方暗部区域的色调变化微妙。在这幅引人入胜的未完成版画中,一位艺术家坐在自己的工作室里,正以站在基座上的裸体模特为对象进行素描。 深色且密布交叉线条的背景与轻描淡写且未完成的前景形成了鲜明对比。这些自由勾勒的轮廓表明伦勃朗是在版面上直接创作,并未转印准备草图;模特双脚以两种不同姿势勾勒,以及艺术家面部可见的修改痕迹,进一步印证了这一点。 上边缘和右边缘已裁切至印版边缘,其余部分保留线装边。——左上角和右下角经娴熟修复,并进行了轻微修补。背面左下角纸张变薄。 下边缘有一处闭合裂口,左边缘另有两处闭合裂口,右边缘有多处纸张瑕疵,均经娴熟修复。其余部分状况良好。 税务:常规征税(增值税:Regular Taxation)。
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