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拉扎罗尼圣母画派大师(约1500年活跃于佛罗伦萨) 归因于:《圣母荣光像》 蛋彩画与金漆画,木板 72×34 厘米(画作尺寸) 本作品很可能是14世纪一套三联祭坛画的中间画板。画作背面清晰可见早期铰链的印痕,每侧各两处,表明此处曾安装过两扇侧翼门。 这些侧门仅在特殊场合(例如节假日)才会打开,从而让人们得以一睹本作品的画面——平时该画面是处于封闭状态的。从风格上看,该作品可归入14世纪末或15世纪初的佛罗伦萨画派。 画家显然受到了佛罗伦萨画家雅科波·迪·奇奥内(Jacopo di Cione)的影响。 基于人物面部鲜明的刻画以及优雅的体态,该作品可归因于“拉扎罗尼圣母大师”(Maestro della Madonna Lazzaroni)——这位姓名不甚为人所知的佛罗伦萨画家,以其创作的带有山墙结构的圣母祭坛画而闻名。 从图像学角度来看,这件作品属于所谓的“Maestà”(圣母荣光像)类型,即圣母怀抱圣婴耶稣端坐画面中央,周围通常环绕着天使、城市或教堂的守护圣人,以及脚下的捐赠者形象。 “Maestà”这一画风深受锡耶纳画家杜乔·迪·布奥尼塞尼亚(Duccio di Buoninsegna)的影响,尤其在14世纪的托斯卡纳地区广受欢迎。 起拍时间:2026年11月6日,14:00
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