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古乐斋:一件以人鱼为题材的珍稀木制根付 古乐斋作,署名“古乐斋” 日本,江户(东京),19世纪 早期,江户时代(1615-1868) 这件作品以大胆的雕刻手法塑造了“人鱼”——这种神话中的生物拥有人的头部和上半身,与长而蜿蜒的鱼尾浑然一体。人鱼蹲伏于地,双手高举抓着自己长而飘逸的头发,而那条修长的尾巴则紧紧盘绕在自身周围,形成了一个紧凑圆润的整体。 尾部的鳞片表面刻痕深邃,与上身光滑的塑形形成鲜明对比。那张神秘的面容因鎏金嵌眼而栩栩如生。底部有大型不对称的“日”字形凹痕,并在椭圆形留白处署有 “KORAKUSAI”字样。 长度 6 厘米 品相:品相极佳,仅有轻微的正常磨损。 “人鱼”(Ningyo)是半人半鱼的神话生物,相当于西方传统中的美人鱼。其形象可能受到目击未知海洋动物(如儒艮)的影响,这些动物在人们的想象中被转化为人鱼生物。 根付作品中最常见的表现形式是女性人鱼怀抱孩童,或手持与海中龙王相关的圣珠(tama)。本品则呈现了一种较为罕见的变体,描绘了独自一人的人鱼,她轻柔地抚弄着自己长长的飘逸秀发。 博物馆对比: 可参见大都会艺术博物馆藏、同一位艺术家(署名“Korakusai”)创作的木制根付,宽3.2厘米,描绘了一名男子与一位人鱼,藏品编号10.211.1726。
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