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一件精美的木制“捕鼠人”根付,据传为常文所作 据传为常文所作,题有“三轮”字样 日本,江户(东京),18世纪晚期,江户时代(1615-1868) 雕刻手法大胆有力:一位沮丧的捕鼠人仅着腰布,跪在捕鼠箱旁,一手紧紧按住箱盖,而那狡猾的老鼠却已逃脱,得意洋洋地栖息在箱沿上。 这位老人秃顶的头颅向后仰起,流露出滑稽的不敢置信的神情;他布满深皱的额头、眯起的双眼和张开的嘴,极好地传达出懊恼与挫败感。紧凑的造型塑造有力,尤其细致地刻画了四肢虬结的肌肉线条以及富有表现力的面部处理。 背面及四肢刻有“Himotoshi”字样。底部刻有“MIWA”字样。 高度 4.4 厘米 品相:品相良好,有旧磨损。右脚脚趾处经修复,箱子边缘靠近老鼠处有一处旧的、磨损平滑的缺口。 根据风格特征,本件根付被归因于常文,尤其是其造型强烈的形象以及极具表现力、近乎戏剧化的面部处理。铭文“Miwa”颇为耐人寻味,似乎是后世所添;Miwa和常文都是江户时代早期的重要雕刻家,他们的作品在风格上确有某些相似之处。 文献对照: 关于常文及其作品的讨论,参见米尔顿·斯特拉托斯(Milton Stratos)的《常文的根付雕刻》(“The Netsuke Carvings of Jobun”),载于《国际根付学会期刊》(International Netsuke Society Journal)第22卷第1期,第14-27页。 特别可参阅该刊中图示的编号17和18,这两件主题相同、风格相近的根付。
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