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阿诺·林克 (1940年,施洛特海姆 — 2017年,莱比锡) 《自画像》,1982年 木板油画。59.5 × 37 厘米。已装裱。左下角签名并标注创作年份(19)82。 作品编号:G 82_7 阿诺·林克自1962年起就读于莱比锡图形与书籍艺术学院,师从维尔纳·图布克和伯恩哈德·海西格等人,后先后在该校担任讲师、教授,最终出任校长。 作为尼奥·劳赫、迈克尔·特里格尔和大卫·施内尔的导师,他被视为“新莱比锡学派”的先驱。他的绘画以表现力强烈的具象风格为特色。 这幅作品是一幅拒绝自我表现的自画像。林克将自己描绘成一个被生活刻画得沧桑的男人——高耸的额头布满深深的皱纹,眼眶凹陷,胡须已染灰白。 他的头部并未面向观众,而是侧转,几乎呈侧面姿态——这种姿态本身便是一种最初的回避,甚至在目光本身成为疑问之前便是如此。 眼睛其实看不清,要么是闭着的,要么视线低垂得如此之深,以至于观者无法追随其目光。正因为自画像本就预设了凝视镜中的自己,这种回避便成了一种有意识的选择:林克注视着自己,却不让我们一同观看。 画面上方横亘着一条黑条。它从左上角斜向延伸,越过耳朵、脸颊、胡须和脖子,直至画面边缘,既未顺应头部轮廓,也始终平铺于画面之上——这是一道画笔划,画家用它将自己的肖像划去。 画面所呈现的内容,就在观者凝视的瞬间,便已悄然退隐。
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