Null TWO BAROQUE PEARL NECKLACES.
双色巴洛克珍珠吊坠和长项链。
短项链上有黄金搭扣。
20 厘米短项链，闭合。
56 厘米长项…

Description

TWO BAROQUE PEARL NECKLACES. 双色巴洛克珍珠吊坠和长项链。短项链上有黄金搭扣。 20 厘米短项链，闭合。 56 厘米长项链，闭合。

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TWO BAROQUE PEARL NECKLACES. 双色巴洛克珍珠吊坠和长项链。短项链上有黄金搭扣。 20 厘米短项链，闭合。 56 厘米长项链，闭合。

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Estim. 1 200 - 1 500 EUR

PETER LØVIG NIELSEN (Denmark, 1929-2007). Coffee table, 1960s. Teak wood. In very good condition. Measurements: 41 x 150 x 45 cm. This table responds to the functional and minimalist aesthetics of Peter Løvig Nielsen, as well as the use of sustainable and environmentally friendly materials. It is raised on bambi legs, characteristic of Scandinavian furniture, joined two by two by means of chambranes. The long sides of the tabletop have a wooden slat placed perpendicularly that adds volume, elegance and distinction to the piece. Peter Løvig Nielsen trained as a cabinetmaker before studying furniture design at the Royal Danish Academy of Fine Arts in Copenhagen. He began his career as in the 1950s, and quickly gained recognition for his innovative designs. His furniture was characterized by clean lines, simplicity and functionality, and he often used natural materials such as wood and leather. His most iconic creations are the "Tulip" chair, the "Model 66" chair and the "Safari" chair.

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Desk, mid 20th century design. Rosewood. Needs refinishing. Measurements: 76 x 152 x 85 cm. Desk made entirely of rosewood, with a design of refined shapes, regular straight lines and rounded volumes, which contrast expressively with the beautiful natural grain of the wood, with sinuous, organic lines. It consists of a rectangular, sharp-edged tabletop, raised on two side frames made up of two straight, rectangular legs, joined together by a lower footing of the same shape, and a half-height crossbar, which reinforces the construction. The back of the cabinet is closed with three doors, two simple side doors and a central one that acts as a hinged lid, each with an independent lock. Two drawer units are located at the front, on either side of the central leg compartment. Each side body has three drawers with smooth, moulded fronts and a recessed handle, made from the same wood.

Estim. 3 500 - 3 400 EUR

ALDO TURA (Italy, 1909 - 1963). Cabinet bar, 1960s. Rosewood, red lacquered goatskin and mirror lined interior. Measurements: 155 x 80 x 44 cm. This cabinet bar, designed by Aldo Tura around 1960, consists of a structure in macassar wood, with bronze hardware and upholstery in goatskin parchment. Raised on a pedestal of classical inspiration, formed by a prismatic base and a baluster, it consists of a prismatic body with two front doors of beautiful grain, with long hinges imitating those of the Gothic period and two arched handles also historicist. Inside it has a space entirely covered with mirror, divided by two glass shelves. Aldo Tura began his career in experimental furniture design in the 1930s. After the marked and angular forms of Art Deco, in these years wood began to be used in free forms, full of curves, and Tura saw in this new taste a new direction for furniture design. His work is a significant combination of free and uninhibited forms, sometimes exceptionally ironic. His designs are also examples of the highest craftsmanship, often being produced in limited edition series, and even just a prototype. In the 1950s, Tura discovered the evocative charm of furniture painted with Venetian architectural views, and also began to experiment with various materials, such as eggshell, parchment, goatskin or wood veneers.

Estim. 1 000 - 1 200 EUR

OMBRE PORTÉE (France, late 20th century). Floor lamp "Sybarite". Brushed brass and stained wood base. With 3 points of light. Electrified. It works. Measures: 167 x 19 x 19 cm. With the slogan "Ombre Portée imagines, designs and gives life to custom-made luminaires" the French brand defines its essence. For 20 years, Ombre Portée has been known in the world of luxury and high-end interior design for its custom lighting, sometimes monumental, the result of long reflection and meticulous execution in which the gesture of the hand always appears in the background.

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