Null T.佩雷斯，追随巴托洛梅-埃斯特班-穆里略，《圣母子》，又名《拿餐巾的圣母》。布面油画
签名，地点：塞维利亚，日期：1939 年
46x47 厘米。…

描述

T.佩雷斯，追随巴托洛梅-埃斯特班-穆里略，《圣母子》，又名《拿餐巾的圣母》。布面油画签名，地点：塞维利亚，日期：1939 年 46x47 厘米。镀金木框。画幅间隙。

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T.佩雷斯，追随巴托洛梅-埃斯特班-穆里略，《圣母子》，又名《拿餐巾的圣母》。布面油画签名，地点：塞维利亚，日期：1939 年 46x47 厘米。镀金木框。画幅间隙。

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Estim. 2 000 - 2 500 EUR

巴托洛梅-埃斯特班-穆里略（BARTOLOMÉ ESTEBAN MURILLO，塞维利亚，1617 年-加的斯，1682 年）的圈子。 "圣弗朗西斯科-德-保拉布面油画。保留了原画布。画作表面有轻微的瑕疵和损失。尺寸：118 x 88 厘米；146 x 116 厘米（画框）：118 x 88 厘米；146 x 116 厘米（画框）。这幅作品的主人公是一位留着灰白胡须的老人，他身着袍服，拄着一根拐杖，这表明他是圣方济各-保拉（St. Francis of Paola）的代表。圣人的模型和刻画圣人的背景都表明，这幅作品的作者是以穆里略创作的模型（P000991）为基础创作的，该模型目前由马德里普拉多博物馆收藏。圣方济各（Saint Francis of Paola，1416-1507 年）是一位意大利隐士，也是迷你骑士团的创始人。他很小的时候就开始了在家乡保拉市郊的隐士生活。渐渐地，他因神迹而声名鹊起，1450 年左右，他的周围已经有了一群追随者。他的团体不断壮大，1470 年，隐修士会（即未来的迷你骑士团）获得了孔森扎大主教的教区批准。四年后，教皇西斯笃四世授予他们宗座批准。1483 年，保拉的方济各应国王路易十一的请求，奉教皇之命前往法国。在那里，他开展了一些有利于罗马教廷的外交工作，与此同时，他还努力为自己的教会争取教规的批准，最终于 1493 年获得了批准。直到去世，保拉的方济各都得到了法国君主的支持和保护，在他去世几年后，卡拉布里亚、图尔塞和亚眠开始了他的封圣仪式，他的生平和神迹得到了众多见证人的证实。他最终于 1513 年被封为圣徒，1519 年被封为圣徒。这幅画表面有轻微的瑕疵和损失。

铁制女神头像罗马文化，公元 2-3 世纪原产地 - Miklos Bokor（布达佩斯，1927 年 - 巴黎，2019 年）私人收藏，法国巴黎。 *米克洛斯-博科尔（Miklos Bokor）是法匈画家和散文家，1927 年 3 月 2 日出生于布达佩斯，2019 年 3 月 18 日逝世于巴黎。 1944 年，米克洛斯-博科尔与全家一起被驱逐到奥斯威辛集中营。母亲去世后，他与父亲一起被转移到布痕瓦尔德、雷姆斯多夫、特罗格利茨和克莱瑙，父亲在卑尔根-贝尔森失踪。 1945 年解放后，他被国际红十字和红新月运动遣返回布达佩斯。 1953 年在布达佩斯举办首次私人展览后，米克洛斯-博科尔留在巴黎，并于 1960 年最终定居法国。 1960 年，米克洛斯-博科尔最终定居法国。1962 年，在展出他绘画作品的 Janine Hoa 画廊，他与诗人伊夫-邦纳福伊（Yves Bonnefoy）和安德烈-杜布歇（André du Bouchet）成为了朋友，他们后来经常为他举办展览。40 多年来，他在巴黎著名的艺术家居所 La Ruche 开设了工作室。博克勒的艺术灵感来源于他在大屠杀中的经历，他的作品反映了灭绝的恐怖。他曾这样描述自己作品中的这种影响：在奥斯维辛集中营发生的一些事情就像一个缺口，一个无法愈合的伤口，一直困扰着社会。死而复生后，在肉体和精神上经历过非人化体验的人开始描绘无法言喻的事物。博克勒的大部分作品被巴黎现代艺术博物馆收藏。作为一名艺术家，他对其他画家以及引发这种可怕局面的文明之前的文化很感兴趣。他收集了大量考古物品，主要集中在近东和幼发拉底河畔的文明诞生地。高 6.5 厘米

Estim. 3 000 - 3 200 EUR

Lounge Chair in the style of GIO PONTI (Milan, 1891 - 1979). Brass structure. Upholstery in blue and gray velvet. New upholstery in very good condition. Measurements: 96 x 72 x 80 cm. Armchair with brass tube feet and upper structure of angular shapes that embrace the user. It is a design halfway between the design tradition of the twentieth century and futuristic fantasy, dominated by a bichrome that avoids the stridencies and characterized by the play of planes and volumes. Architect, designer and academic, Gio Ponti is, along with Ettore Sottsass, the leader of the most sought-after Italian designers of the 20th century by collectors. In addition to the elegance of his furniture, sensitive to functionality, yet original at the same time, Ponti is recognized for his volcanic creativity, which led him to produce and design until the 1970s. His ability to give voice to new trends made him the "inventor" of the Made in Italy design concept. Ponti studied architecture at the Politecnico. After World War I, in which he had to serve, he worked as artistic director for the respected ceramic manufacturing company Richard-Ginori. Between 1923 and 1927 he partnered with architects Mino Fiocchi and Emilio Lancia, opening his own studio in 1928, and founded the famous design magazine Domus, through whose pages (and those of Lo Stile, a magazine he would found and edit in the 1940s) Ponti influenced international taste in design for more than fifty years. By 1933, Ponti partnered with engineers Antonio Fornaroli and Eugenio Soncini to create the Ponti-Fornaroli-Soncini studio, which firmly embraced the modernist aesthetic and worked until 1945. In 1950, Ponti was awarded the commission for what would become one of the iconic buildings of the 20th century, the 32-story Pirelli Tower in Milan. Throughout his career, Ponti played many different roles: architect, industrial designer, craftsman, teacher, painter, editor and journalist.

Estim. 1 000 - 1 200 EUR

ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930's. Writing desk. White painted metal. Black glass. Shows signs of use and wear. Needs restoration. Measurements: 80 x 115 x 60 cm. Desk designed by the Czech artist Robert Slezak in the thirties, following the precepts of the German Bauhaus. The tubular structure and the small spherical feet give lightness and boldness to a design in accordance with the aesthetic and conceptual interests of the modern movement. The cabinet has three drawers with ball handles, and the top is covered with black glass. Robert Slezak founded Slezak Factories in 1908, a Czech furniture brand specializing in chrome-plated and bent metal furniture, which initially operated as a locksmith's shop and building fittings. The workshop developed rapidly, production was first extended to the popular brass fittings and new galvanic plating technology was introduced in the new facility. In 1911, it was one of the first manufacturers to offer galvanic plating of copper, nickel and chromium on the surface of products. From 1913, it began production of metal chairs and brass furniture, including beds, tables and chairs with its own designs in a combination of metal and wood. The original Slezák factories became part of the Kovona company after 1948, and since 1992 it has been called Kovonax. It presents marks of use and wear. Needs restoration.

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