Null 归功于 Edward Matthew Ward，RA、
英国人，1816-1879-

室内两位优雅的女士；

卡片上的油画，背面铅笔刻有 "E.M.…

Description

归功于 Edward Matthew Ward，RA、英国人，1816-1879- 室内两位优雅的女士；卡片上的油画，背面铅笔刻有 "E.M. Ward RA"，15.4 x 19.3 厘米。出处：英国私人收藏：私人收藏，英国。

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归功于 Edward Matthew Ward，RA、英国人，1816-1879- 室内两位优雅的女士；卡片上的油画，背面铅笔刻有 "E.M. Ward RA"，15.4 x 19.3 厘米。出处：英国私人收藏：私人收藏，英国。

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Estim. 2 000 - 2 500 GBP

何塞-安托利内斯（JOSÉ ANTOLÍNEZ，1635-1675 年，马德里）的圈子。 "普里西马布面油画。有衬里。尺寸：141 x 96 厘米；163 x 118 厘米（框架）。何塞-安托里尼兹是他那一代最有趣的艺术家之一，但由于早逝，他未能达到他的训练所预示的辉煌成熟期。但这并不妨碍他被视为 17 世纪第三季度西班牙宫廷绘画全面复兴的巴洛克潮流的杰出代表。在他的作品中，我们可以感受到他对提香礼仪再现的细腻敏锐--在他那个时代的西班牙绘画中，提香的礼仪一直都是如此--结合对北欧大师鲁本斯（Rubens）和凡-戴克（Van Dyck）优雅绘画的接受，以及对委拉斯开兹（Velázquez）氛围的捕捉。因此，他的绘画技巧松弛而充满活力，冷色调的使用极具诱惑力，其构图充满了蓬勃的运动和不稳定的活动。我们知道他的父亲是一名木匠，当时他的家族在马德里的卡莱德托莱多（Calle de Toledo）定居，但在布尔戈斯的埃斯皮诺萨-德洛斯蒙特罗斯（Espinosa de los Monteros）村有一座庄园。帕洛米诺给我们留下了一个傲慢自负的人的形象，他非常清楚自己的价值，因此常常傲慢无礼，这种态度使他与其他同事之间产生了很多摩擦和争吵。他曾是弗朗西斯科-里兹的学生，后来与里兹闹翻，但这并不妨碍他的画作受到同时代人的高度赞赏。他涉猎了所有画种：宗教画、风景画（无现存作品）、神话画、肖像画和风俗画。在肖像画领域值得一提的还有普拉多博物馆收藏的两幅儿童肖像画。这两幅作品既真实地表现了人物的亲密关系，又捕捉到了人物周围的气氛，以至于它们一直被认为是委拉斯开兹的作品，直到最近才被迭戈-安古洛（Diego Angulo）认为是安托利内兹的作品。在普拉多博物馆收藏的油画中，《抹大拉的过境》和两幅儿童肖像来自皇家收藏，两幅《圣母无原罪》属于特立尼达博物馆，而第三幅则是 1931 年从卡塔赫纳第四伯爵阿尼巴尔-莫里略-佩雷斯的遗赠资金中获得的。

Estim. 7 500 - 10 000 GBP

JR LOSADA POCKET WATCH Nº9205 Sabonet pocket watch manufactured by JR LOSADA with manual winding mechanical movement Nº 9205, Victorian style dial made of silver decorated with gold, Roman numerals with auxiliary dial for the seconds hand located above the number VI, blued steel hands, inscription "JR LOSADA 105 REGENT ST. LONDON N.9205" (identical in machinery). Box numbered 10782 with hallmarks corresponding to 18 kt gold. (English royal crown and 18), the city of London (leopard head), typesetter (FM) - possibly Frederick Samuel Matthews - and the year of manufacture, 1876, (letter A), covers with chiseled decoration of plant motifs, palmettes and intertwined garlands of initials JPM, smooth duster, bombe crystal and fluted crown. Running condition that requires review. Weight: 126.15 gr. / Diameter: 50 mm. It is presented in an original leather case with gold embossing with the inscription "JR LOSADA 105 REGENT ST. LONDON", purple velvet and white silk interior with a logo after the London Exhibition of 1862. It is accompanied by a royal spring, two complementary crystals, Replacement dial in black and white enameled copper with Roman numerals and purchase invoice for £35 dated July 14, 1877 with an apocryphal signature of Jose Rodriguez de Losada. Reference bibliography: Moreno, R. Jose Rodriguez Losada - Life and work, Ed. Fundacion Juanelo Turriano, Madrid, 1995, pp. 83-91. Provenance: Madrid, DURAN SUBASTAS, lot 82 from undetermined auction (possibly 70s-80s); Bilbao, private collection. Jose Rodriguez Losada (Iruela, 1797-London, 1870) can be considered the most famous Spanish watchmaker of the last centuries. Once his watchmaking business was established, he quickly began to be known in London, receiving numerous commissions from the Spanish and Latin American markets, as well as from the Spanish Royal House. He was appointed chamber watchmaker to Queen Elizabeth II and timekeeper to the Spanish Navy. Losada died in London in 1970, bequeathing his fortune and businesses to his sisters, nephews, personal doctor and servants. The famous watchmaker had his nephews Miguel, Francisco and Norberto as apprentices, the first of them being the trusted man of Losada until he was disinherited in 1868 due to disagreements with his uncle. Given this fact, “the house, factory and firm JR Losada are inherited in their entirety by that of his nephew Norberto.” The youngest of his nephews took charge of the business until the end of the century, losing the property due to financial problems in favor of his brother Miguel, later associated with Francisco. Norberto de Riego y Rodriguez de Losada did not respect the numbering of his uncle's clocks close to number 6275 in 1870 - the year of his death -, marking a new one around 10,000. This fact makes us see how the watch with number 9205 was made in 1877, a time when the watchmaking manufacture fell to Norberto de Riego,It is especially curious how he keeps the invoices and documentation associated with his uncle's watches, even signing apocryphally as JR Losada. The watch, its case and the associated documentation represent a first-class testimony for the study of Spanish and British watchmaking of the 19th century. It must be taken into account that there are not many perfectly documented artifacts from Norberto de Riego that are preserved. Nor are there cases from this context, such as the one preserved in the collection of Jose Daniel Barquero (ref. OR-016 JDBC from MIARB) or the invoice, closely related to the one preserved by the current Relojeria Losada in Madrid.

Estim. 8 000 - 12 000 GBP

The Two Loves - Attributed to Alexander Roslin (Malmö, Sweden, 1718 - Paris, 1793) Swedish or French Neoclassical School of the late 18th century early 19th century Decorative and elegant oil painting on canvas measurements: 62 x 50 cm, measurements with frame from the same period: 85 x 70 cm. Provenance: important private collection from Seville. Old noble collection, Seville, Spain. Alexander Roslin (Malmö, July 15, 1718 - Paris, July 5, 1793) was a Swedish painter, specialized in portraits, of the Rococo period. He trained in his native country, Sweden. For two years he was working at the court of the Margrave of Bayreuth (1745-47). Afterwards he passed through Italy, where he was able to study the mannerist painters (Tiziano, Veronese) and the classicists (Carracci, Guido Reni). In 1752 he went to Paris, thanks to the recommendation of Louise Isabella of France, Duchess of Parma. There he became famous as a portrait painter. He portrayed the European aristocracy of the mid-18th century. He married in 1759 Marie-Suzanne Giroust. He enjoyed Boucher's friendship. From 1750 onwards he worked mainly in Paris, but there were periods when he worked in other places, called by the courts: Stockholm (1774), St. Petersburg (1775, where he painted a series of portraits of statesmen of Imperial Russia, including those of Iván Betskoi and Iván Shuválov), Warsaw and Vienna (1778). Bibliography: Walter, Ingo F. (editor), The Masters of Western Painting, Taschen, 2005, ISBN 3-8228-4744-5

Estim. 1 000 - 1 500 GBP

Attributed to James Stark RA (1794-1859) British, a large pastoral landcape with figures and cattle beside a river, oil on canvas, 90 cm x 128 cm in contemporaey, heavy wood frame.

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