Null WILLY RIZZO. Alla maniera di. Coppia di lampade da tavolo. Metallo cromato …

Descrizione

WILLY RIZZO. Alla maniera di. Coppia di lampade da tavolo. Metallo cromato e ottone 20 cm (altezza piedi) e 37 cm (altezza con paralume). In buone condizioni.

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WILLY RIZZO. Alla maniera di. Coppia di lampade da tavolo. Metallo cromato e ottone 20 cm (altezza piedi) e 37 cm (altezza con paralume). In buone condizioni.

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Gruppo di tre personaggi orientali in ceramica smaltata e invetriata. Rappresentano tre dignitari secondo la tradizione cinese. Con timbri incisi sulla base. XX secolo. Altezza 45 cm

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In the style of JOSEF HOFFMANN (Brtnice, Czech Republic, 1870 - Vienna, 1956). Pair of armchairs. Walnut wood. Fabric upholstery with floral decoration. With signs of wear and tear. With xylophages. The wood needs to be reworked. Measurements: 73 x 55 x 47 cm. Pair of armchairs of Central European style, framed within the Viennese Secession, with structure in walnut wood with structure of parallel bands, functional and of refined volumes. An architect and industrial designer, Josef Hoffmann studied at the Academy of Applied Arts in Vienna, where he was a disciple of Carl Freiherr von Hasenauer and Otto Wagner, whose theories of functional, modern architecture would profoundly influence his work. He won the Prix de Rome in 1895, and the following year he joined Wagner's office, collaborating with Olbrich on some projects for the Metropolitan. He established his own office in 1898, and taught at the School of Decorative Arts in Vienna between 1899 and 1936. He was also a founding member of the Viennese Secession. In 1900 he travelled to London, where he came into contact with the English school and discovered Mackintosh. On his return, he set up a workshop for the production of objects based on designs by Secession artists, and the Wiener Werkstätte was born, a workshop which had a great influence on 20th-century industrial design. By 1903, production began on an international scale. In the course of his life, Hoffmann produced a variety of projects for buildings and furnishings, and exhibited his creations all over the world. He is currently represented in the MAK and the Leopold Museum in Vienna, the Metropolitan and MoMA in New York, the Brohan in Berlin, the Courtauld Institute in London and the Victoria & Albert in London, among many others.

Estim. 700 - 750 EUR

WILLY VAN DER MEEREN (Belgium, 1923-2002) for Tubax, Belgium. Pair of chairs, 1950s. Chromed metal and yellow upholstery. Measurements: 70 x 60 x 53 cm; 41 cm (seat height). This pair of Belgian chairs features elements characteristic of midcentury forms with Nordic influence. For example, the backrest has a curvature for ergonomic back support. The metal frame and flowing forms make it a pair of exquisitely crafted and highly sophisticated chairs. Willy Van der Meeren studied architecture at the Royal Academy of Fine Arts in Ghent and began his career working for a furniture company. He founded his own company in the 1950s, Tubax, which produced furniture for schools, offices and hospitals. He is most famous for his "301" chair, a metal folding chair that was mass-produced and used in many public buildings in Belgium. He was a member of the design group De Coene in Kortrijk and taught industrial design at the Royal Academy of Fine Arts in Ghent. His work has been exhibited in numerous museums and design exhibitions, including MoMA in New York.

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