An Yoruba-Ijebu Headdress, "igodo" Yoruba-Ijebu, Nigeria Mit Sockel / with base Holz. H 59 cm. Provenienz: - Collection privée française - Galerie Alain Bovis, Paris. - Westschweizer Privatsammlung. Ein Zertifikat der Galerie Alain Bovis wird dem Käufer ausgehändigt. Bei Sotheby's Paris (09.04.2022, "Living Contemporary", Lot 84) mit einer Schätzung von € 2'000-3'000 unverkauft. -------------------------------------------- Die Ijebu, deren Ursprung sich bis ins 15. Jahrhundert zurückverfolgen lässt, sind eine Untergruppe des Yoruba-Volkes. Ihre Hauptstadt Ijebu-Ode liegt in der von Flüssen geprägten Landschaft der fruchtbaren Küstenregion des Bundesstaates Ogun. Die zahlreichen Wasserwege und die zentrale Lage auf der Handelsroute zwischen Lagos und Ibadan ermöglichten es dem Reich im 18. und 19. Jahrhundert, ein profitables Handelsmonopol zu etablieren. In der Regenzeit schwillt das Netz der fischreichen Flachwasser-Nebenflüsse zu einem wahren Labyrinth aus Bächen und Wasserwegen an, die mit der Lagunenküste verbunden sind. Während des Hochwassers zelebrieren die Ijebu ein mehrtägiges Fest zu Ehren der spirituellen Kräfte der Wassergeister. Die das Wohlergehen und den Kindersegen beeinflussenden Kräfte werden im "agbo-ekine" genannten Kult verehrt, dessen Ursprung vermutlich bei den weiter östlich angesiedelten Ijo liegt. Dieser kulturelle Einfluss ist auch in der Gestaltung der während der Festlichkeiten getanzten Wassergeist-Masken ersichtlich, zum Beispiel bei dem Mischwesen ("igodo") mit einer bartähnlichen Fläche auf der ein Vogel (hier fehlend) eine Schlange pickt, oder auch bei der Antilope ("agira") und dem Krokodil ("oni"). Im Verlauf der Festlichkeit erscheinen die Masken knapp über der Wasseroberfläche, als würden sie wie von selbst darüber schweben. Die so tief wie möglich im Wasser verborgenen Tänzer tragen die Masken dabei horizontal auf dem Kopf und achten strengstens darauf nicht entdeckt zu werden. Weiterführende Literatur: Wittmer, Marcilene K. / Arnett, William (1978). Three Rivers of Nigeria. Atlanta: The High Museum of Art. CHF 1 500 / 3 000 Gewicht in Gramm: 2484 Zustand: Spitze des linken Ohres fehlt. Sichtbare Beeinträchtigungen (siehe Fotos). -------------------------------- Der Zustand (allfällige Abnutzung, Gebrauchsspuren, Risse, eventuelle andere Beeinträchtigungen und die Altersspuren usw.) dieses Lots ist auf den Fotos, die wir für Ihre Dokumentation hochgeladen haben, zu sehen. Für alle Fragen zu diesem Objekt steht Ihnen Hammer Auktionen gerne zur Verfügung ([email protected]). Die Angaben zum Zustand der Objekte, die aus Sachdienlichkeit gegenüber den Interessenten gemacht wurden, sind nur eine Meinung und sollten nicht als Tatsachenbehauptung behandelt werden. Hammer Auktionen übernimmt keine Verantwortung für etwaige Fehler oder Unterlassungen. Im seltenen Fall, dass der Artikel nicht mit der Beschreibung im Katalog übereinstimmt, ist Hammer Auktionen hier, um zu helfen. Käufer können das Lot gegen volle Rückerstattung zurückgeben, sofern sie Hammer Auktionen innerhalb von 5 Tagen nach Erhalt des Lots benachrichtigen.

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African and Oceanic Art from the Collections of

Jean-Louis Rinsoz, Marcel Roux, Pierre Vérité, Henri Kamer, Paul Berger-Frei, Gérald and Muriel Minkoff, Charles-Edouard Duflon,

Thierry Santos, Hans und Carla Baumann, René Rickli, Alfons J. Keller, Edwin Bentley Savage, Edith Mbella, Mama Mecano,

Galerie Alain Bovis, Galerie Alain Naoum, Galerie Tribal Art Classics, Galerie Alain Lecomte, Galerie Walu

All items are guaranteed to be as described or your MONEY BACK.

A "Confirmation of Provenance" and a "Right to Dispose" as well as all mentioned certificates will accompany each artwork.

BEST OF LUCK !

Hammer Auktionen