A Yoruba Mask, "gelede" (masque yoruba) Yoruba, Nigeria Avec socle / with base En bois. H 28 cm. Provenance : - Imelda et Paul (1924-2014) Berger-Frei, Riehen. - Communauté d'héritiers Berger-Frei, Bâle. Toute personne touchée par la maladie, la stérilité ou un autre malheur tente, lorsque l'oracle a désigné les sorcières comme cause, d'apaiser les "mères" par des sacrifices, tout en combattant la maladie avec des herbes et en cherchant une autre protection sous forme d'amulettes. Mais la société dans son ensemble peut aussi offenser les "mères" en tolérant un mauvais comportement, et la communauté ne peut pas se protéger avec des amulettes. La ligue gelede offre une protection contre les sorcières, non pas en les combattant, mais en invitant les "mères" une fois par an (ou aussi souvent que nécessaire) à une fête en leur honneur, au cours de laquelle tous les écarts de conduite au sein de la communauté sont exposés, condamnés et tournés en dérision. La ligue gelede est dirigée par des femmes, les hommes jouant le rôle de danseurs, de chanteurs et d'assistants. Bien qu'il existe de nombreuses variantes locales de la fête du gelede, la structure de base est la même partout. Elle commence le soir par la prestation d'un chanteur appelé efe et se poursuit l'après-midi suivant par la fête gelede proprement dite, au cours de laquelle se produisent entre autres de nombreux danseurs masqués. Elle est principalement consacrée au plaisir et au divertissement. Des dizaines de danseurs masqués exécutent à cette occasion de courtes danses pleines d'entrain, parfois en alternance par paires, aux côtés des percussionnistes. Les masques gelede, qui ont toujours la forme d'une tête humaine, sont portés de manière à ce que le danseur puisse voir sous le bord. Ce masque de base est généralement surmonté d'une structure aux représentations les plus diverses, dont la conception et l'exécution rivalisent de virtuosité avec les sculpteurs sur bois. Les costumes traditionnels des danseurs comprennent de nombreux foulards et écharpes de femme, et ils portent également des hochets autour des chevilles. Littérature complémentaire : Lawal, Babatunde (1996). Le Spectacle de Gelede. Washington : University of Washington Press. CHF 400 / 800 Poids en grammes : 1091 État Cassé verticalement en deux moitiés et assemblé. La majeure partie de la structure en forme de couronne au-dessus du front manque. -------------------------------- L'état (usure éventuelle, traces d'utilisation, fissures, autres atteintes éventuelles et les traces d'âge, etc.) de ce lot est visible sur les photos que nous avons téléchargées pour votre documentation. Pour toute question concernant cet objet, Hammer Auctions se tient à votre disposition ([email protected]). Les informations relatives à l'état des objets, fournies par souci de pertinence aux personnes intéressées, ne sont qu'une opinion et ne doivent pas être traitées comme des affirmations de fait. Hammer Auctions décline toute responsabilité en cas d'erreur ou d'omission. Dans le cas rare où l'article ne correspondrait pas à la description du catalogue, Hammer Auctions est là pour aider. Les acheteurs peuvent retourner le lot contre un remboursement intégral, à condition d'en informer Hammer Auctions dans les 5 jours suivant la réception du lot.

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Art africain et océanien des collections de

Jean-Louis Rinsoz, Marcel Roux, Pierre Vérité , Henri Caméra , Paul Berger-Frei, Gérald et Muriel Minkoff , Charles-Edouard Duflon ,

Thierry Santos , Hans et Carla Baumann, René Rickli, Alfons J. Keller, Edwin Bentley Savage , Edith Mbella , Mama Mécano ,

Galerie Alain Bovis, Galerie Alain Naoum , Galerie Classiques de l'art tribal, Galerie Alain Lecomte , Galerie Walu

Tous les objets sont garantis comme décrits ou votre MONEY BACK.

Une "Confirmation of Provenance" et un "Right to Dispose" ainsi que tous les certificats mentionnés accompagneront chaque œuvre d'art.

LE MEILLEUR DU LUCK !

Ventes aux enchères de marteaux