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CHALIAPIN Fedor Ivanovich (1873 - 1938) CHALIAPIN Fedor Ivanovich (1873 - 1938) OPERA - CHALIAPIN Fedor Ivanovich (1873 - 1938) - Illustrated manuscript Illustrated manuscript, dated 1935. A tribute to Chaliapin, one of the greatest basses of all time and the most notable interpreter of Boris Godunov in Mussorgsky's opera. It depicts the singer and a view of a Russian city. 2 pp. In-4°. In Russian. Fine leather binding (slight abrasions, loss on the spine).

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CHALIAPIN Fedor Ivanovich (1873 - 1938) CHALIAPIN Fedor Ivanovich (1873 - 1938) OPERA - CHALIAPIN Fedor Ivanovich (1873 - 1938) - Illustrated manuscript Illustrated manuscript, dated 1935. A tribute to Chaliapin, one of the greatest basses of all time and the most notable interpreter of Boris Godunov in Mussorgsky's opera. It depicts the singer and a view of a Russian city. 2 pp. In-4°. In Russian. Fine leather binding (slight abrasions, loss on the spine).

Stima 200 - 250 GBP
Base d'asta 100 GBP

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Spese di vendita: 31 %
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In vendita il lundi 29 juil. : 14:00 (BST)
mayfair-london, Regno Unito
L'Autographe Auctions
+4420.353.503.63
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CHALIAPIN Marina Fedorovna (1912 - 2009) CHALIAPIN Marina Fedorovna (1912 - 2009) OPERA - CHALIAPIN Marina Fedorovna (1912 - 2009) - Autograph diary Autograph diary of the actress, daughter of the famed Russian bass Fedor Ivanovich Chaliapin. The text, in English, French, Russian, and Italian, spans the period from March 15, 1935 to April 16, 1936. It contains personal notes, reflections, travel accounts (from Italy, Austria, and France) and describes meetings with personages of culture and music, including Arturo Toscanini and Tito Schipa. On December 3, 1935, she writes: "If I am to write about the wonderful evening spent at Wl. Horowitz concert I will have to write a different kind of diary, with details. But I spent it with Maestro Toscanini, and we talked a great deal and he said to me, standing behind the closed stage door together, where he escaped from photographers dragues me after him, he said "Cara Marina" and then che bella che sei! And that is a lovely compliment from such a man...". On February 7, 1936, from the film studios in Tirrenia (Italy), she notes: "Signed first contract in lifetime...". The last pages (written in reverse) contain some addresses, a draft letter to Ernest Hemingway and some reflections. Total of 96 unnumbered pages, in-8. Original binding with brown velvet cover (some spine damages, needs restoration), marbled endpapers. Included is an autograph letter signed, dated Dimanche 25 juin (1933), addressed to tenor Tito Schipa: "Je suis encore à Paris qui est très gaie en ce moment et je ne sais pas quand je te verrai toi aussi. Si tu viens à Paris tu es un amour et telephone moi tout de suite. On se verra quand tu voudras. Je veux tant te parler...". 3 pages, in-8, in French, on bifolio, on a letterhead paper. Pencil note: "Never received"."