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Trois photographies autographes : Portrait, dans son bureau, de Pío CABANILLAS, ministre espagnol de la Culture ; portrait en studio de Juan Antonio SAMARANCH, président du Comité olympique espagnol, du Conseil provincial de Barcelone et ambassadeur d'Espagne auprès de l'Union soviétique, entre autres, dédicacé par le photographe et dédicacé par Samaranch ; portrait en studio de Laureano López Rodó, dédicacé et signé par lui, et au verso, cachet du photographe Gyenes.

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Trois photographies autographes : Portrait, dans son bureau, de Pío CABANILLAS, ministre espagnol de la Culture ; portrait en studio de Juan Antonio SAMARANCH, président du Comité olympique espagnol, du Conseil provincial de Barcelone et ambassadeur d'Espagne auprès de l'Union soviétique, entre autres, dédicacé par le photographe et dédicacé par Samaranch ; portrait en studio de Laureano López Rodó, dédicacé et signé par lui, et au verso, cachet du photographe Gyenes.

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En vente le mardi 23 juil. : 17:00 (CEST) , reprise à 17:00
madrid, Espagne
Durán Arte y subastas
+34915776091
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In the style of JOSEF HOFFMANN (Brtnice, Czech Republic, 1870 - Vienna, 1956). Pair of armchairs. Walnut wood. Fabric upholstery with floral decoration. With signs of wear and tear. With xylophages. The wood needs to be reworked. Measurements: 73 x 55 x 47 cm. Pair of armchairs of Central European style, framed within the Viennese Secession, with structure in walnut wood with structure of parallel bands, functional and of refined volumes. An architect and industrial designer, Josef Hoffmann studied at the Academy of Applied Arts in Vienna, where he was a disciple of Carl Freiherr von Hasenauer and Otto Wagner, whose theories of functional, modern architecture would profoundly influence his work. He won the Prix de Rome in 1895, and the following year he joined Wagner's office, collaborating with Olbrich on some projects for the Metropolitan. He established his own office in 1898, and taught at the School of Decorative Arts in Vienna between 1899 and 1936. He was also a founding member of the Viennese Secession. In 1900 he travelled to London, where he came into contact with the English school and discovered Mackintosh. On his return, he set up a workshop for the production of objects based on designs by Secession artists, and the Wiener Werkstätte was born, a workshop which had a great influence on 20th-century industrial design. By 1903, production began on an international scale. In the course of his life, Hoffmann produced a variety of projects for buildings and furnishings, and exhibited his creations all over the world. He is currently represented in the MAK and the Leopold Museum in Vienna, the Metropolitan and MoMA in New York, the Brohan in Berlin, the Courtauld Institute in London and the Victoria & Albert in London, among many others.

VERNER PANTON (Denmark, 1926 - 1998) for FRITZ HANSEN. Chaiselong "Relaxer Chair K". Designed in 1973. Black leather capitonné. Produced by Fritz Hansen. It shows signs of use. Measurements: 102 x 137 x 60 cm. The Relaxer Chair K is a lounger designed for the total comfort of the user. Its high backrest and ergonomic shape adapt perfectly to the body of each user. Verner Panton was famous for his exuberant forms and this chair is a wonderful example. Considered one of the most influential personalities of late 20th century furniture design, Verner Panton created a variety of innovative and futuristic designs during his career, especially constructed in plastic and brightly colored. Most of his best-known designs are still in production. Verner attended the Odense Technical School and then studied architecture at the Royal Academy of Fine Arts in Copenhagen, graduating in 1951. In the early years of his career, between 1950 and 1942, he worked in the architectural office of Arne Jacobsen. In 1955 he opened his own architecture and design studio, becoming famous with his furniture based on geometric shapes, manufactured by the company Plus-linje. In the late 1950s his chair designs, with no legs and no discernible back, became increasingly unconventional. In the 1960s Panton began his collaboration with the firm Vitra, which has been very close ever since, culminating in 2000 with the Panton retrospective exhibition held at the Vitra Design Museum. He is currently represented at the DesignMuseum in London and the MoMA in New York, among many others.