BRANCA, Juan - "MANUEL D'ARCHITECTURE... avec des additions et des notes de Leonardo Vegni" M. : Veuve de Joachin Ibarra, 1790. 8º, pâte frottée. 2 heures + 175 pages. + 29 planches gravées. Rare dans le commerce. Palau 34429.

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GIUSEPPE TERRAGNI (Italy, 1904 - 1943). Table "Novocomum". BD Barcelona Design edition, 1980s. Cherry wood. Measurements: 61 x 70 cm (small diameter) and 90 cm (large diameter). The "Novocomum" table was created between 1929 and 1930 by Terragni as part of the furniture for the headquarters of the Federazione degli Agricoltori, in the building of the same name in Como, which he designed. It is a piece of furniture with simple volumes, an example of rationalism and based on the sober combination of straight and curved planes. Giuseppe Terragni was an Italian architect and designer, pioneer of rationalism and author of the famous Casa del Fascio. He studied at the Technical College of Como, and then finished architecture at the Politecnico di Milano. In 1927, together with his brother Attilio, he opened an office in Como, which remained active until Giuseppe's death during World War II. Terragni created some of the most emblematic buildings of modern architecture in Italy and led Italian Rationalism, always striving to position architecture away from neoclassical and neo-Baroque revivalism. Although his career was short, cut short by his early death, Terragni created an important group of projects and consolidated concepts such as the lamellar wall or the hollowing out (he used to empty certain parts of the total volume, without losing the reference of the original object).

Lot 112

Estim. 2 400 - 2 600 EUR

CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery, backside with black hopsak, armrests and five-star base in clome-plated aluminium, with castors. Designed in 1958. Slight traces of wear. Measurements: 102/115 x 58 x 58 cm; 43/56 cm. (seat height). Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

BRANCA, Juan - "MANUEL D'ARCHITECTURE... avec des additions et des notes de Leonardo Vegni" M. : Veuve de Joachin Ibarra, 1790. 8º, pâte frottée. 2 heures + 175 pages. + 29 planches gravées. Rare dans le commerce. Palau 34429.

BRANCA, Juan - "MANUEL D'ARCHITECTURE... avec des additions et des notes de Leonardo Vegni" M. : Veuve de Joachin Ibarra, 1790. 8º, pâte frottée. 2 heures + 175 pages. + 29 planches gravées. Rare dans le commerce. Palau 34429.

Pendule de table Jaeger Réf. 462 avec mouvement mécanique manuel. En laiton doré et méthacrylate avec décoration égyptienne. Circa 1980. Hauteur 24 cm

Paire de vases en porcelaine chinoise émaillée bleu et blanc. Décoration d'architectures et de personnages entourés de motifs de plantes et de fruits. Marques de la période Kangxi sur la base, probablement au 19e siècle. 26,5 cm de haut.

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