Null ANTONI ROCA MARISTANY (1895-1977). "CHARACTERS IN FRONT OF A BAR TABLE".
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Description

ANTONI ROCA MARISTANY (1895-1977). "CHARACTERS IN FRONT OF A BAR TABLE". Aquarelle et fusain sur carton d'affichage. Signé. Au verso, l'un d'eux a perdu une partie du carton auquel il était attaché, l'autre l'a conservé. 23,2 x 27,5 cm (sans cadre) ; 23 x 27,5 cm (sans cadre). Ce lot ne sera pas inclus dans notre vente aux enchères.

899

ANTONI ROCA MARISTANY (1895-1977). "CHARACTERS IN FRONT OF A BAR TABLE". Aquarelle et fusain sur carton d'affichage. Signé. Au verso, l'un d'eux a perdu une partie du carton auquel il était attaché, l'autre l'a conservé. 23,2 x 27,5 cm (sans cadre) ; 23 x 27,5 cm (sans cadre). Ce lot ne sera pas inclus dans notre vente aux enchères.

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Estim. 1 800 - 2 000 EUR

ANTONIO CITTERIO (Meda, 1950) for Xilitalia. Four "Eridiana" chairs, 1980. Steel and black leather. With publisher's label. In good condition, with wear and tear. Measurements: 81 x 54 x 46 cm; 66 cm (arms height). The filigree chair ''Eridania'' by Antonio Citterio was produced by Xilitalia around 1980. It consists of a tubular steel frame that combines curved and straight shapes. Special attention should be paid to the armrests that open slightly outwards. Antonio Citterio studied architecture at the Polytechnic University of Milan, and in 1972 he began his activity as a consultant and designer in the field of industrial design. His designs are currently part of prestigious collections such as that of the MoMA in New York.

Estim. 3 500 - 3 400 EUR

ALDO TURA (Italy, 1909 - 1963). Cabinet bar, 1960s. Rosewood, red lacquered goatskin and mirror lined interior. Measurements: 155 x 80 x 44 cm. This cabinet bar, designed by Aldo Tura around 1960, consists of a structure in macassar wood, with bronze hardware and upholstery in goatskin parchment. Raised on a pedestal of classical inspiration, formed by a prismatic base and a baluster, it consists of a prismatic body with two front doors of beautiful grain, with long hinges imitating those of the Gothic period and two arched handles also historicist. Inside it has a space entirely covered with mirror, divided by two glass shelves. Aldo Tura began his career in experimental furniture design in the 1930s. After the marked and angular forms of Art Deco, in these years wood began to be used in free forms, full of curves, and Tura saw in this new taste a new direction for furniture design. His work is a significant combination of free and uninhibited forms, sometimes exceptionally ironic. His designs are also examples of the highest craftsmanship, often being produced in limited edition series, and even just a prototype. In the 1950s, Tura discovered the evocative charm of furniture painted with Venetian architectural views, and also began to experiment with various materials, such as eggshell, parchment, goatskin or wood veneers.

Estim. 400 - 500 EUR

Pair of armchairs; Spain, 1950s. Wood. They show wear in the upholstery. Measurements: 77 x 55 x 70 cm (x2). Pair of armchairs with wooden structure and upholstery in white fabric. The exposed wood traces a right angle in the armrests, describing a same line with the front legs, so that the soft and enveloping leather seat is balanced with this modern structure. However, the clean lines are softened by the warmth of a wood that shows off its qualities and grain. They show wear on the upholstery.

Estim. 4 000 - 5 000 EUR

Henriette GREMERET (1895-1977) Paysage cubiste monté sur plexiglas Dimensions 100 x 65 cm

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