Null FRENCH POCKET SPYGLASS, EARLY 19TH CENTURY
Bronze ciselé et doré au mercure…

Description

FRENCH POCKET SPYGLASS, EARLY 19TH CENTURY Bronze ciselé et doré au mercure. Avec des similes de turquoises et de péridots. 3,5 x 3 cm de diamètre (fermé).

387

FRENCH POCKET SPYGLASS, EARLY 19TH CENTURY Bronze ciselé et doré au mercure. Avec des similes de turquoises et de péridots. 3,5 x 3 cm de diamètre (fermé).

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Estim. 600 - 700 EUR

Puff; Missoni, 20th century. Stoccarda with iconic Missoni Home Textiles print. Presents label with signature. It has an excellent state of conservation. Measurements: 30 x 41,5 cm. Stoccarda round structure pouf with iconic Missoni Home Textiles print. Ottavio and Rosita Missoni established in 1953, a small knitwear workshop in Gallarate, Italy. They presented their first collection under the Missoni label in Milan in 1958. The business flourished, with the support of fashion editor Anna Piaggi, and then in Arianna magazine. Rosita met French stylist Emmanuelle Khanh in New York in 1965, which led to a collaboration and a new collection the following year. In April 1967, they were invited to show at the Pitti Palace in Florence. Rosita told the models to take off their bras, supposedly because they were the wrong color, and showed through the thin lamé blouses. The material became transparent under the lights and caused a sensation. The Missonis were not invited the following year, but business grew; a new factory in Sumirago was built in 1969. Missoni designs were promoted in the U.S. by Diana Vreeland, editor of American Vogue, and a Missoni boutique was opened in Bloomingdales. Missoni reached the height of its influence in the fashion world in the early 1970s, so much so that today the firm continues as an established brand. It has a zipper closure.

Estim. 600 - 700 EUR

Puff; Missoni; 20th century. Woodstock cylinder square with iconic Missoni Home Textiles print. It presents an excellent state of conservation. Measurements: 30 x 41,5 cm. Puff of round structure, it presents a decoration based on parallel bands, varying in width, decorated some with simple geometric elements and others with bands of colors that overlap. Ottavio and Rosita Missoni established in 1953, a small knitwear workshop in Gallarate, Italy. They presented their first collection under the Missoni label in Milan in 1958. The business flourished, with the support of fashion editor Anna Piaggi, and then in Arianna magazine. Rosita met French stylist Emmanuelle Khanh in New York in 1965, which led to a collaboration and a new collection the following year. In April 1967, they were invited to show at the Pitti Palace in Florence. Rosita told the models to take off their bras, supposedly because they were the wrong color, and showed through the thin lamé blouses. The material became transparent under the lights and caused a sensation. The Missonis were not invited the following year, but business grew; a new factory in Sumirago was built in 1969. Missoni designs were promoted in the U.S. by Diana Vreeland, editor of American Vogue, and a Missoni boutique was opened in Bloomingdales. Missoni reached the height of its influence in the fashion world in the early 1970s, so much so that today the firm continues as an established brand. It has a zipper closure.

Estim. 1 200 - 1 400 EUR

Puff. Diamante II model; Missoni, Italy, 20th century. Printed fabric. Presents label "Missoni Home". Measurements: 60 x 40 cm. Puff with geometric structure featuring a decoration based on the iconic multicolor print. Ottavio and Rosita Missoni established in 1953, a small knitwear workshop in Gallarate, Italy. They presented their first collection under the Missoni label in Milan in 1958. The business flourished, with the support of fashion editor Anna Piaggi, and then in Arianna magazine. Rosita met French stylist Emmanuelle Khanh in New York in 1965, which led to a collaboration and a new collection the following year. In April 1967, they were invited to show at the Pitti Palace in Florence. Rosita told the models to take off their bras, supposedly because they were the wrong color, and showed through the thin lamé blouses. The material became transparent under the lights and caused a sensation. The Missonis were not invited the following year, but business grew; a new factory in Sumirago was built in 1969. Missoni designs were promoted in the U.S. by Diana Vreeland, editor of American Vogue, and a Missoni boutique was opened in Bloomingdales. Missoni reached the height of its influence in the fashion world in the early 1970s, so much so that today the firm continues as an established brand.

Estim. 800 - 1 200 EUR

Ancienne boîte à thé en écaille de tortue de style géorgien anglais, vers le début du 19e siècle Description : Une grande boîte à thé rectangulaire en écaille de tortue de style géorgien avec des coins inclinés, des poignées latérales en laiton et un écusson en laiton. Le couvercle en forme de dôme à gradins avec une bande de corde en ivoire est monté avec un cartouche inscrit. Type : Boite à thé Matériaux : Écaille de tortue, ivoire, laiton Marques et inscriptions : Non marqué Date : Vers le début du 19e siècle Fabricant : Non marqué Dimensions : 11,75" L x 6" H x 5,5" P. Provenance : D'une collection d'Elkins Park, Pennsylvanie. Bon état, quelques pertes de placage de bois à l'intérieur, perte mineure de placage de coquillage à la base, usure occasionnelle des bords. Pas de clé.

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