Null LATE QING DYNASTY, 19TH CENTURY. COAT RACK.
Bois sculpté et suspensions en …

Description

LATE QING DYNASTY, 19TH CENTURY. COAT RACK. Bois sculpté et suspensions en bronze. Hauteur 196 cm.

291

LATE QING DYNASTY, 19TH CENTURY. COAT RACK. Bois sculpté et suspensions en bronze. Hauteur 196 cm.

Les enchères sont terminées pour ce lot. Voir les résultats

Vous aimerez peut-être

Estim. 500 - 600 EUR

Nordic design armchair and footstool, 70s. Cherry wood and taupe leather. Measurements: 85 x 78 x 90 cm (armchair); 40 x 75 x 70 cm (footrest). Set consisting of a comfortable armchair with matching footrest, both pieces of furniture with cherry wood structure in its natural colour and taupe leather upholstery, with a padding which, as well as providing comfort, gives a classic touch to the design, as a reference to the typical 19th century quilted capitonné upholstery. The structural lines are clearly visible, and take on special relevance through the warmth of the wood, uprights and crosspieces with proportionate, slightly curved lines, evoking an organic form that refers to the tradition of Nordic cabinetmaking. On top of this structure, the fully upholstered bodies, resting softly on the wood, like old furs.

Estim. 300 - 350 EUR

CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Hang it all" coat rack. Lacquered steel and wood. Measurements: 50 x 37 x 17 cm. Vitra editor itself defines its coat rack as "a cheerful alternative to traditional coat racks (and not only for the children's bedroom)". The combination of shapes and colors encourages children to hang all their things, literally. Thanks to the even distance between the balls, several hangers can be mounted together for more space. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

Estim. 1 800 - 2 000 EUR

PETER HVIDT (Denmark, 1916-1986) AND ORLA MOLGAARD-NIELSEN (Denmark, 1907-1993) for France & Daverkosen. Coffee table model FD 515, design 1956. Solid teak wood with circular top. Includes wicker newspaper rack with brass hardware. Made by France & Daverkosen, labeled here. Slight marks of use. Measurements: 50 x 99 x 99 cm. Coffee table designed in 1956 by Danish designer couple Peter Hvidt and Orla Mølgaard-Nielsen, in solid wood, with circular top housing a wicker newspaper rack. Peter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993) were pioneers of mid-century Danish design and founders of the Copenhagen-based firm Hvidt & Mølgaard. The duo established a simple and precise aesthetic by designing countless pieces of furniture over the years, many of which became icons of the era. Today, their work is exhibited at MoMA, the National Gallery of Melbourne and the Copenhagen Design Museum. Naharro mobiliario distributes the pieces manufactured by different brands of furniture designed by Hvidt & Mølgaard in its stores in Madrid and online store, with delivery and assembly service throughout Spain. Ask us for any additional information.

Estim. 150 - 225 EUR

Quatre livres de littérature spécialisée sur les bijoux Art nouveau composé de : The Art of the Jeweller, catalogue d'exposition du British Museum, tome I texte, tome II planches ; Twentieth-Century Jewelry, Barbara Cartlidge ; Russian Jewellery, Mid 19th century - 20th century ; Le Bijou en suisse au XXe siècle, la bibliothèque des arts, format max. 4°, petites traces d'étude.

Paiement sécurisé

Les paiements en ligne sont sécurisés par Ingenico et les transactions cryptées.

Authentification

Chaque lot a été authentifié et expertisé par une Maison de Ventes.

Consultez notre aide ou contactez-nous

Composé de plusieurs filiales, le Groupe Drouot est un acteur incontournable du marché de l’art.
L’Hôtel Drouot, situé au cœur de Paris, est la plus grande place de ventes aux enchères publiques au monde, depuis 1852. 15 salles de ventes sont proposées à plus de 60 maisons de vente. L’émulation générée par une offre annuelle de 230 000 œuvres d’art issues de 21 grandes spécialités – de l’Antiquité au street art –, attire quelques 3 000 enchérisseurs chaque jour.
La plateforme digitale du Groupe, Drouot.com, propose des ventes digitales – Live (retransmission et participation aux enchères en direct), Online-only (ventes aux enchères dématérialisées) et Buy Now (ventes de lots à prix fixes). Près de 2 millions d’objets sont proposés par 600 maisons de vente.
L’actualité des enchères est relayée chaque semaine par La Gazette Drouot, l’hebdomadaire de référence du marché de l’art et du patrimoine édité par Auctionspress.

Le Groupe Drouot

Les opérateurs de vente agréés Drouot

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]

Visites & Privatisations