Null EUGENIO LUCAS VELÁZQUEZ. Attribué à. Intérieur d'une église. Huile sur toil…

Description

EUGENIO LUCAS VELÁZQUEZ. Attribué à. Intérieur d'une église. Huile sur toile 30x38,5 cm. Défaut et rayure sur la couche picturale. Cadre en bois stuqué et doré.

569

EUGENIO LUCAS VELÁZQUEZ. Attribué à. Intérieur d'une église. Huile sur toile 30x38,5 cm. Défaut et rayure sur la couche picturale. Cadre en bois stuqué et doré.

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Estim. 3 000 - 3 200 EUR

Lounge Chair in the style of GIO PONTI (Milan, 1891 - 1979). Brass structure. Upholstery in blue and gray velvet. New upholstery in very good condition. Measurements: 96 x 72 x 80 cm. Armchair with brass tube feet and upper structure of angular shapes that embrace the user. It is a design halfway between the design tradition of the twentieth century and futuristic fantasy, dominated by a bichrome that avoids the stridencies and characterized by the play of planes and volumes. Architect, designer and academic, Gio Ponti is, along with Ettore Sottsass, the leader of the most sought-after Italian designers of the 20th century by collectors. In addition to the elegance of his furniture, sensitive to functionality, yet original at the same time, Ponti is recognized for his volcanic creativity, which led him to produce and design until the 1970s. His ability to give voice to new trends made him the "inventor" of the Made in Italy design concept. Ponti studied architecture at the Politecnico. After World War I, in which he had to serve, he worked as artistic director for the respected ceramic manufacturing company Richard-Ginori. Between 1923 and 1927 he partnered with architects Mino Fiocchi and Emilio Lancia, opening his own studio in 1928, and founded the famous design magazine Domus, through whose pages (and those of Lo Stile, a magazine he would found and edit in the 1940s) Ponti influenced international taste in design for more than fifty years. By 1933, Ponti partnered with engineers Antonio Fornaroli and Eugenio Soncini to create the Ponti-Fornaroli-Soncini studio, which firmly embraced the modernist aesthetic and worked until 1945. In 1950, Ponti was awarded the commission for what would become one of the iconic buildings of the 20th century, the 32-story Pirelli Tower in Milan. Throughout his career, Ponti played many different roles: architect, industrial designer, craftsman, teacher, painter, editor and journalist.

Estim. 2 500 - 2 600 EUR

Pair of Art Deco cabinets attributed to PAOLO BUFFA (1903-1970). Italy, 1940s. Lacquered wood and parchment. Keys included. Measurements: 120 x 80 x 40 cm. Extraordinary pair of desks or secretaire, Art Deco style and period, attributed to the Italian designer Paolo Buffa. Refined and elegant, they follow the style of the splendid designer and are made of black lacquered wood and parchment. The design, with clean and simple lines, focuses attention on its long legs of decreasing diameter and on the contrast created by the materials. With a black and white exterior, it impresses when you open its door and discover the red and embossed leather, which creates an elegant and striking effect. Paolo Buffa's work stands out for the perfection of execution and the neoclassical influence on his style, which the designer acquired during his training at Gio Ponti's studio throughout the 1920s. The solid and elegant lines that characterize his furniture seem to emulate a continuity between the 19th and 20th centuries. Of this pair of design gems, the use of parchment stands out. This element of animal origin is obtained from the hairless and well stretched skin of the cow or lamb, although even squirrel skin has been used. Its origin dates back to a time before Christ, remains of papyrus have been found from the second century B.C. Its use has been varied, from writing and illuminations to the coating of other objects such as books or furniture for decorative purposes, conferring luxury and prestige to the piece. The design, although always evolving, does not lose the essence of good materials.

Estim. 800 - 1 000 EUR

GOFFREDO REGGIANI (Italy, 1929-2004). Ceiling lamp "Trumpet", 1970s. Chromed steel. Six points of light. Presents marks of use. Measurements: 83 x 50 x 50 cm. The ceiling lamp in tender is distinguished by the dynamic set of six hanging structures in the form of inverted trumpet. The different heights of each of the axes confer uniqueness to the set and allow the light to cover a greater amount of space. Italian entrepreneur Goffredo Reggiani founded the company Reggiani Illuminazione in the early 1950s. He began production with decorative lamps for which he designed prototypes. His perfectionism quickly led him to hire renowned artists and architects to improve his creations, such as Gio Ponti and Richard Rogers. Reggiani received numerous awards attesting to the impact of his innovations in Europe.

Estim. 1 000 - 1 200 EUR

Palm tree lamp. Attributed to MAISON JANSEN, ca. 1980's. Brass shaft, metal leaves. It shows wear and marks of use. Measurements: 76 x 27 x 27 cm. Floor lamp in the form of a palm tree, with brass shaft and metal leaves with mahogany patina. It is probable that it belongs to Maison Jansen, because it follows the same models and the same technique as the palm tree lamps of this prestigious house dedicated to luxury decoration. The Palmera lamp is the star piece of Maison Jansen, an icon for lovers of interior decoration. With a proven track record, Maison Jansen has decorated the residences of such important personalities as the Kennedys, the Duke and Duchess of Windsor, Coco Chanel and the March family. Founded in 1880 by Dutch designer Jean-Henri Jansen (1854-1928), its aesthetics were based on French furniture combined with aesthetic influences from around the world. His most sought-after pieces reflected the influence of antique designs from the Louis XIV, Louis XVI, Directory and Empire eras, as well as objects Jansen found during his travels to Japan and Turkey. It shows wear and tear and marks of use.

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