Null ÉCOLE DE CUZCO, PROBABLEMENT 18E SIÈCLE. Le Christ rassemblant ses vêtement…

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ÉCOLE DE CUZCO, PROBABLEMENT 18E SIÈCLE. Le Christ rassemblant ses vêtements. Huile sur toile Avec une légende partiellement illisible : "por esta misma (...) me da (...) estrecha cuenta". 53x38,5 cm. Doublé. Restaurations, défauts et repeints. Cadre en bois stuqué et doré, avec défauts.

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ÉCOLE DE CUZCO, PROBABLEMENT 18E SIÈCLE. Le Christ rassemblant ses vêtements. Huile sur toile Avec une légende partiellement illisible : "por esta misma (...) me da (...) estrecha cuenta". 53x38,5 cm. Doublé. Restaurations, défauts et repeints. Cadre en bois stuqué et doré, avec défauts.

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Estim. 2 000 - 2 500 EUR

Sunset in the Park, Francisco Torrescassana (Barcelona, 1845-ibidem, 1918), 19th century Catalan school Signed and dated 1875, canvas measurements: 46 x 35 cm, framed measurements: 52 x 40 cm. Spanish painter, disciple of Ramón Martí Alsina. Works by Torrescassana are preserved, among others, in the National Museum of Art of Catalonia, the Víctor Balaguer Library Museum, or the Museum of Art of Gerona, and the collection of Banco Sabadell, with a painting dedicated to the vintage in which the traditional realism that characterized much of his painting, closely linked to the teachings received from Martí Alsina, opens up to new studies of light. As for portraits, also abundant in his artistic production, the University of Barcelona keeps the portrait of Pablo González Huebra in the rectoral gallery, as well as in the dining room of Antoni Gaudí's Casa Vicens. Bibliography: Alcolea, Santiago, Paintings of the University of Barcelona. Catalog, University of Barcelona, 1980, ISBN 84-852-5721-9

Estim. 4 500 - 6 500 EUR

Dutch School of Rembrandt from the 17th century, attributed to Jourdeville, Isaac de (1612 in Leiden – 1645 in Amsterdam) 81 x 66 cm, no frame attached. Important and decorative portrait of a Turbaned Knight, possibly a wealthy Dutch merchant. Work markedly connected with the Dutch school of Rembrandt of the 17th century, specifically in the style of his best disciple, Isaac de Jourdeville, who, born an orphan, soon became Rembrandt's student in November 1629 and traveled with him to Amsterdam in 1631 There are still documents related to their learning written by their tutors. He returned to Leiden to marry Maria le Febure (1619-1653) in 1636 and moved to Deventer in 1641. He lived in Deventer for only a few years; In 1643 he was back in Amsterdam, where he died young in 1645. His widow Maria married the glassmaker Pieter de Melder in 1648 and his daughter Mariecke later married the painter Frederik de Moucheron. Following the death of Maria le Febure, her second husband declared himself unable to support her first husband's three children, along with her own two children, although she offered to raise Jacob Jouderville until the age of 18. By then De Melder He acted as an art dealer, and the liquidation of his wife's estate shows an interesting list of artists to whom his estate owed money or who owed money to his estate. Provenance: private collection, Barcelona.

Estim. 1 000 - 1 500 EUR

Attributed to Manuel Barrón, sevillian costumbrist school of late 18th century - early 19th century Oil on canvas, measurements only canvas: 70 x 40 cm, medidas con marco: 81 x 55 cm

Estim. 100 - 150 EUR

Edward H. Compton, "Schneekoppe depuis le sentier des crêtes". Vue sur la plus haute montagne des Monts des Géants avec le Schneekoppenbaude, gravure en couleurs élaborée, ressemblant à une aquarelle, 1ère moitié du 20ème siècle, signée en plomb sous la représentation à droite "E. H. Compton " et "p.", posthume. (posthume ?) et titré à gauche "Schneekoppe von Kammweg (Riesengebirge)", signé en bas à gauche dans la représentation "E. Harrison Compton", encadré sous verre, dimensions de la représentation env. 21 x 28,5 cm. Informations sur l'artiste : allemand - anglaispeintre anglais de paysages et d'architecture ainsi qu'illustrateur (1881 Feldafing am Starnberger See jusqu'en 1960 Feldafing), élève de son père Edward Theodore Compton et de l'école d'art et d'artisanat de Londres, ensuite retour en Bavière, entreprit des voyages d'études à travers le Tyrol, l'Italie du Nord, l'Allemagne et l'Angleterre, membre de la Münchner Künstlergenossenschaft, s'occupa entre autres des expositions au Glaspalast de Munich, travailla par moments à Potsdam et Würzburg, actif à Munich et Feldafing am Starnberger See, source : Thieme-Becker, Vollmer, Bruckmann "Münchner Maler des 19./20e siècle", Dressler et Wikipedia.

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