Null PHILIPE MAINZER. Tabouret en chêne "Backenzahn". Edition pour E15
47x27x27 …
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PHILIPE MAINZER. Tabouret en chêne "Backenzahn". Edition pour E15 47x27x27 cm. Fissures et défauts typiques du bois.

308 

PHILIPE MAINZER. Tabouret en chêne "Backenzahn". Edition pour E15 47x27x27 cm. Fissures et défauts typiques du bois.

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ARNE JACOBSEN (Denmark, 1902 - 1971) for FRITZ HANSEN. Set of six Oxford chairs. Fritz Hansen publisher, Denmark, 1976. Metal and leather, swivel. The current edition of this model is marketed at 2000€ per piece. They show signs of use. The upholstery has cracked leather. Measurements: 87 x 46 x 55 cm. Set of six Oxford chairs, a design by Arne Jacobsen. With metal structure and body entirely upholstered in black leather. It is a minimalist design, with a structure reduced to its essence, functional and at the same time elegant due to its harmonious combination of straight lines and soft curves. The original design of the Oxford chair was created by Jacobsen for the professors at St. Catherine's College, Oxford, in 1963, when he was commissioned to build a new wing for their building. An architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction, then entered the Faculty of Architecture at the Royal Academy of Fine Arts. His architectural highlights include St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the Danish National Army in Copenhagen, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also known as "Chair number 7", of which more than five million were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the film "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and it can now be found in collections such as the Victoria & Albert Museum in London and the MoMA in New York, among many others.

CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. “Segmented table”. A large circular dining table with chromed and black lacquered steel and aluminium frame, on four-star base, solid dark stained oak top with black vinyl edge. In good vintage condition with minor retouches on top. Measurements: H. 72 cm. Diam. 170 cm. The design story of the Eames Tables goes back to the 1940s, when Charles and Ray Eames developed the first versions of what later became the table base. Suited for a variety of chairs and tables, these early designs already reflect the couple's characteristic method of thinking in systems. The bases used today for the Eames Tables were created in the 1960s in conjunction with the development of the Soft Pad Chairs. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.