Null Croix d'autel de Jérusalem en bois ébonisé avec incrustations de nacre grav…

Description

Croix d'autel de Jérusalem en bois ébonisé avec incrustations de nacre gravées et encrées, 19e siècle. 34,5x14x4,5 cm. Plusieurs plaques de nacre sont manquantes.

190

Croix d'autel de Jérusalem en bois ébonisé avec incrustations de nacre gravées et encrées, 19e siècle. 34,5x14x4,5 cm. Plusieurs plaques de nacre sont manquantes.

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Estim. 3 500 - 3 800 EUR

Elongated apothecary jar with Art Nouveau lid from the 1920s. Engraved glass. In good condition. Measurements: 118 x 30 x 30 cm. This apothecary jar has been entirely made of glass and is distinguished by its elongated and cylindrical character. The lid is embellished with an engraved pattern of delicate vegetal and floral motifs. An obelisk-shaped finial completes the piece.

Estim. 500 - 600 EUR

Nordic design armchair and footstool, 70s. Cherry wood and taupe leather. Measurements: 85 x 78 x 90 cm (armchair); 40 x 75 x 70 cm (footrest). Set consisting of a comfortable armchair with matching footrest, both pieces of furniture with cherry wood structure in its natural colour and taupe leather upholstery, with a padding which, as well as providing comfort, gives a classic touch to the design, as a reference to the typical 19th century quilted capitonné upholstery. The structural lines are clearly visible, and take on special relevance through the warmth of the wood, uprights and crosspieces with proportionate, slightly curved lines, evoking an organic form that refers to the tradition of Nordic cabinetmaking. On top of this structure, the fully upholstered bodies, resting softly on the wood, like old furs.

Estim. 3 500 - 3 400 EUR

ALDO TURA (Italy, 1909 - 1963). Cabinet bar, 1960s. Rosewood, red lacquered goatskin and mirror lined interior. Measurements: 155 x 80 x 44 cm. This cabinet bar, designed by Aldo Tura around 1960, consists of a structure in macassar wood, with bronze hardware and upholstery in goatskin parchment. Raised on a pedestal of classical inspiration, formed by a prismatic base and a baluster, it consists of a prismatic body with two front doors of beautiful grain, with long hinges imitating those of the Gothic period and two arched handles also historicist. Inside it has a space entirely covered with mirror, divided by two glass shelves. Aldo Tura began his career in experimental furniture design in the 1930s. After the marked and angular forms of Art Deco, in these years wood began to be used in free forms, full of curves, and Tura saw in this new taste a new direction for furniture design. His work is a significant combination of free and uninhibited forms, sometimes exceptionally ironic. His designs are also examples of the highest craftsmanship, often being produced in limited edition series, and even just a prototype. In the 1950s, Tura discovered the evocative charm of furniture painted with Venetian architectural views, and also began to experiment with various materials, such as eggshell, parchment, goatskin or wood veneers.

Estim. 400 - 500 EUR

Pair of armchairs; Spain, 1950s. Wood. They show wear in the upholstery. Measurements: 77 x 55 x 70 cm (x2). Pair of armchairs with wooden structure and upholstery in white fabric. The exposed wood traces a right angle in the armrests, describing a same line with the front legs, so that the soft and enveloping leather seat is balanced with this modern structure. However, the clean lines are softened by the warmth of a wood that shows off its qualities and grain. They show wear on the upholstery.

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