Null Pepe Cortés pour Amat (1991)
Paire de tabourets modèle Jamaica, structure…

Description

Pepe Cortés pour Amat (1991) Paire de tabourets modèle Jamaica, structure en acier chromé et assise en aluminium anodisé. Jamaica a été créé à l'origine pour la discothèque Big Ben et a subi des modifications qui l'ont perfectionné jusqu'à ce qu'il atteigne sa forme définitive deux ans plus tard. Sélection des prix Delta 1992. Prix Design Auswahl, Allemagne. Dimensions : 71 x 43 x 47 cm.

1327

Pepe Cortés pour Amat (1991) Paire de tabourets modèle Jamaica, structure en acier chromé et assise en aluminium anodisé. Jamaica a été créé à l'origine pour la discothèque Big Ben et a subi des modifications qui l'ont perfectionné jusqu'à ce qu'il atteigne sa forme définitive deux ans plus tard. Sélection des prix Delta 1992. Prix Design Auswahl, Allemagne. Dimensions : 71 x 43 x 47 cm.

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CORTES Y AGUILAR, ANDRES (1810 - 1879) Paire de peintures à l'huile sur toile. Signée (A...Cortés) et datée (1849) dans le coin inférieur gauche. 113x91cm

Estim. 700 - 750 EUR

PEPE CORTÉS (Barcelona, 1946) for Amat Editor. Pair of low stools "Jamaica", 1991. Steel. With publisher's stamp. Measurements: 55 cm (height). The Jamaica is a stool with a functional and refined design featuring the organic lines of its ergonomic seat, raised on five steel tubes that act as feet. These start from a straight structure that is drastically truncated to create a pyramidal composition that converges at the seat. Interior designer and designer, Pepe Cortés studied at the Eina School in Barcelona, and has carried out countless interior design projects, including the restaurants "Azulete" and "Tragaluz", the Caixa Forum shop-museum, the offices of the Banco Sabadell Atlántico presidency and several exhibitions for the Generalitat de Catalunya. He has also won several FAD interior design awards, as well as the Design Auswahl for his famous "Jamaica" stool. In 2002 he was awarded the Santiago Marco Prize medal, and in 2007 he was named National Design Award. His work has appeared in various publications, and has been shown in exhibitions both in Spain and abroad.

Estim. 700 - 750 EUR

WILLY VAN DER MEEREN (Belgium, 1923-2002) for Tubax, Belgium. Pair of chairs, 1950s. Chromed metal and yellow upholstery. Measurements: 70 x 60 x 53 cm; 41 cm (seat height). This pair of Belgian chairs features elements characteristic of midcentury forms with Nordic influence. For example, the backrest has a curvature for ergonomic back support. The metal frame and flowing forms make it a pair of exquisitely crafted and highly sophisticated chairs. Willy Van der Meeren studied architecture at the Royal Academy of Fine Arts in Ghent and began his career working for a furniture company. He founded his own company in the 1950s, Tubax, which produced furniture for schools, offices and hospitals. He is most famous for his "301" chair, a metal folding chair that was mass-produced and used in many public buildings in Belgium. He was a member of the design group De Coene in Kortrijk and taught industrial design at the Royal Academy of Fine Arts in Ghent. His work has been exhibited in numerous museums and design exhibitions, including MoMA in New York.

Estim. 1 800 - 2 000 EUR

RODOLFO BONETTO (Milan, 1929-1991) for DRIADE. Pair of armchairs. Plastic material. With Driade label. Slight marks of use on the base. Measurements: 70 x 66 x 70 cm. Pair of armchairs of marked geometric design, based on rounded volumes, whose clean lines are enhanced by the neatness of the reddish-colored plastic material. It consists of a unitary and fluid volume in which the legs form the sides of the furniture and, in a continuous way, form the armrests, seats and backs of the same. The self-taught designer Rodolfo Bonetto began his career working for the Olivetti company in the late 1950s, where he contributed to the design of several products, including typewriters, household appliances, calculators and furniture such as the Boomerang armchair. Later he also worked for Kodak, Braun and Yamaha. His successful career led him to be awarded up to eight times with the Compasso d'Oro, the highest Italian design award. He is best known for his creations in the fields of technology and transportation (he worked for the Italian public transport company ATM), as well as for bicycles, motorcycles and automobiles. He has twice been president of ADI (Associazione Disegno Industriale) and president of ICSID (International Council of Societies of Industrial Design).

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