Null Table basse attribuée à Fritz Hansen, marque danoise Pin Age, 1980
Platea…

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Table basse attribuée à Fritz Hansen, marque danoise Pin Age, 1980 Plateau en hêtre teinté cerise et pieds en acier Dimensions : 44 x 60 x 60 cm

1299

Table basse attribuée à Fritz Hansen, marque danoise Pin Age, 1980 Plateau en hêtre teinté cerise et pieds en acier Dimensions : 44 x 60 x 60 cm

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Estim. 1 200 EUR

Arne Jacobsen pour Fritz et Hansen - Quatre chaises Butterfly, 1955

Estim. 2 500 - 3 000 EUR

ARNE JACOBSEN (Denmark, 1902 - 1971) for FRITZ HANSEN. Coffee table model 3513. Rosewood veneered top, aluminium frame, tripod base with profiled stem. Antique model. Manufactured by Fritz Hansen. Slight signs of wear and tear due to use and age. Refurbished top. Measurements: 47.5 cm (height) x 110 cm (diameter). Round coffee table of strictly contemporary design, with a dark-grained Brazilian rosewood top and aluminium legs that extend to form a star base and join into a central shaft. An architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction and then entered the Faculty of Architecture at the Royal Academy of Fine Arts. His architectural highlights include St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in Copenhagen, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also known as "Chair number 7", of which more than five million were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the film "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and it can now be found in collections such as the Victoria & Albert Museum in London and the MoMA in New York, among many others. The Danish company Fritz Hansen, founded in 1872, manufactures original, unique, functional and innovative contemporary design furniture. It manufactures its products in its facilities in the north of Copenhagen, making each piece in close cooperation with internationally renowned designers and architects. Its collection includes the Egg Chair and Swan chair, the Series 7 chair, the Ant chair and the Oxford chair by designer Arne Jacobsen, as well as tables and armchairs designed by Danish designers Piet Hein and Poul Kjaerholm.

Estim. 400 - 500 EUR

PIET HEIN (1905-1996) & BRUNO MATHSSON (1907-1988) for FRITZ HANSEN. 'Superelipse' dining table with chromed steel legs, white laminated top with aluminum edge. Designed in 1968. Produced by Fritz Hansen in 1992. With stamp underneath the top. Measurements: 70 x 150 x 100 cm. The iconic Superellipse table which was created in collaboration with Bruno Mathsson and has been produced at Fritz Hansen since 1968. After Piet Hein had used the Superellipse as the solution to a traffic challenge at Sergels Torg in Stockholm, he saw countless possibilities for use. The table represents Piet Hein's ability as a furniture designer, since in addition to the table top he also designed the iconic tension legs.

Estim. 2 500 - 2 800 EUR

POUL KJÆRHOLM (Denmark, 1929 - 1980) for FRITZ HANSEN. Coffee table, model PK-61. Glass top, steel frame. Manufactured by Fritz Hansen. With stamp in steel frame. Small signs of use, glass with minor scratches at the surface. Measurements: 33 x 80 x 80 cm. The PK61 coffee table is almost as elementary and minimalist as the style of Poul Kjærholm, its intellectual creator. Despite the extreme distillation of the structure into a set of identical elements, the square and aesthetic design shows Kjærholm's development from industrial designer to furniture architect. Poul Kjærholm was a Danish designer trained at the Danish School of Arts and Crafts in Copenhagen, where he entered in 1952 after beginning his apprenticeship with cabinetmaker Gronbech in 1948. Since the mid-fifties he worked for his friend EjvindKoldChristiansen, a businessman who always gave him total creative freedom. In his earliest creations, such as his PKO plywood furniture series, his strong personality is already evident. In 1958 he attracted international attention with his contribution to the "Formes Scandinaves" exhibition in Paris, and in the same year he won the Lunning Prize for his PK 22 chair. In 1957 and 1960 he was awarded the Grand Prix at the Milan Triennale, and in 1959 he was admitted to the Royal Danish Academy of Fine Arts. In 1973 he was appointed director of the Danish Design Institute, where he taught from 1976. Today his designs are held in leading design collections, including those of the Victoria & ALbert Museum in London and the MOMA in New York.

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