Null Paire de têtes assyriennes en pierre calcaire pour le jardin.
Avec base e…

Description

Paire de têtes assyriennes en pierre calcaire pour le jardin. Avec base en fer. Dimensions : 41 x 21 cm

1063

Paire de têtes assyriennes en pierre calcaire pour le jardin. Avec base en fer. Dimensions : 41 x 21 cm

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Estim. 3 600 - 4 800 EUR

Pair of Empire vases in mercury-gilded bronze, 19th century The oval body in the shape of a vegetated cup follows classic models in terms of typology, with decoration of caryatids on the sides. Polished bases with decoration of Mercury heads on tondos. Small losses of gilding. Measurements: 48 cm high each

Aucune estimation

Paire de têtes de bouddha en pierre sculptée et polie. Avec des restes de polychromie et de dorure. Indonésie, Ff. 18e siècle - Pps. 19e siècle. Sur des bases personnalisées. Provenance : - Collection privée, Paris. 34 et 37 cm de haut sans la base

Estim. 700 - 750 EUR

WILLY VAN DER MEEREN (Belgium, 1923-2002) for Tubax, Belgium. Pair of chairs, 1950s. Chromed metal and yellow upholstery. Measurements: 70 x 60 x 53 cm; 41 cm (seat height). This pair of Belgian chairs features elements characteristic of midcentury forms with Nordic influence. For example, the backrest has a curvature for ergonomic back support. The metal frame and flowing forms make it a pair of exquisitely crafted and highly sophisticated chairs. Willy Van der Meeren studied architecture at the Royal Academy of Fine Arts in Ghent and began his career working for a furniture company. He founded his own company in the 1950s, Tubax, which produced furniture for schools, offices and hospitals. He is most famous for his "301" chair, a metal folding chair that was mass-produced and used in many public buildings in Belgium. He was a member of the design group De Coene in Kortrijk and taught industrial design at the Royal Academy of Fine Arts in Ghent. His work has been exhibited in numerous museums and design exhibitions, including MoMA in New York.

Estim. 300 - 400 EUR

MOTOKO ISHII (Japan, 1938), for Staff Wall sconce, ca. 1970s. Polished metal and glass. Measurements: 20 x 25 cm. Wall lamp designed by Motoko Ishii for Staff, in the 1970s. Ishii was inspired on this occasion by the space age. The glass balls that protect the lamp make it optically larger. The transparent volume of the globe lamp lends lightness to the design. Motoko Ishii is a Japanese lighting designer. From 1965 to 1967 she worked in lighting design studios in Finland and Germany. Returning to Japan in 1968, she established the Ishii Motoko Design Office. One of her main projects was the lighting design for Expo ‘75 in Okinawa. From the 1980s onwards, she did the designs for a number of major projects. Three major events for which he was responsible for lighting were Expo ‘85 in Tsukuba, the Yokohama Lighting Festival and Japan Flora 2000. He also designed lighting for the cities of Osaka, Hakodate, Himeji and Kurashiki, and for the gassh?-zukuri village of Shirakawa. His 1989 redesign of the Tokyo Tower lighting attracted international attention. He won the Illuminating Engineering Society of North America award for the Light Fantasy Electricity Pavilion at the International Garden and Vegetation Exposition (Osaka, 1990) and again for the Rainbow Bridge (1994). In 2009, he designed the lighting for the Elisabeth Bridge in Budapest, Hungary.

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