Null Lot composé d'un bol et d'une coupe en faïence opaque de type chinois de la…

Description

Lot composé d'un bol et d'une coupe en faïence opaque de type chinois de la manufacture royale de Sargadelos. Troisième période (1845-1862). Décor chinois imprimé en bleu. Tampon sur la base. Espagne 19ème siècle. * Piquets légers. 10,5 de haut et 16,5 cm de Ø (bol) ; 7 cm de haut (tasse).

1362

Lot composé d'un bol et d'une coupe en faïence opaque de type chinois de la manufacture royale de Sargadelos. Troisième période (1845-1862). Décor chinois imprimé en bleu. Tampon sur la base. Espagne 19ème siècle. * Piquets légers. 10,5 de haut et 16,5 cm de Ø (bol) ; 7 cm de haut (tasse).

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Nordic design armchair and footstool, 70s. Cherry wood and taupe leather. Measurements: 85 x 78 x 90 cm (armchair); 40 x 75 x 70 cm (footrest). Set consisting of a comfortable armchair with matching footrest, both pieces of furniture with cherry wood structure in its natural colour and taupe leather upholstery, with a padding which, as well as providing comfort, gives a classic touch to the design, as a reference to the typical 19th century quilted capitonné upholstery. The structural lines are clearly visible, and take on special relevance through the warmth of the wood, uprights and crosspieces with proportionate, slightly curved lines, evoking an organic form that refers to the tradition of Nordic cabinetmaking. On top of this structure, the fully upholstered bodies, resting softly on the wood, like old furs.

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Cesc Senar, for Betera. Table. Totem model. Marble and glass. Measurements: 75 x 110 x 110 cm. Since 1972, the designer Cesc Senar has been creating auxiliary furniture for the modern home for Masis. Over the decades, innovation in terms of aesthetic and functional perception, but also in the use of new materials, has been refined and adapted to the most contemporary demands. Totem is one of Masis' classic models, contemporary in style and timeless in design, endowed with timeless elegance and cadence. In addition to the model with square or rectangular top, Senar also designed this variant with a circular top in transparent glass. The backing, consisting of two intersecting slats, is made of white marbled marble. The cross-section is balanced by the circle of the tabletop, offering a design of refined geometry.

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Side table from the 1950s. Gilded brass and mosaic on the top. Measurements: 55,5 x 70 x 70 cm. Low side table of design of the fifties, with triangular top decorated with mosaics of sepia, red and yellow tones, and three legs of the type "bambi", of circular section and narrower towards the base, typical of the fifties. This type of legs add lightness to the design.

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JORDI VILANOVA (Barcelona, 1925-1998). Suspension lamp "Anella" Series, 1967. Polished brass and parchment lampshade. Measurements: 68 x 44 x 44 cm. Suspension lamp of the Anella series designed and produced by Jordi Vilanova in 1967. A paradigmatic example of the conjunction that Vilanova carried out between traditional techniques and new materials of industrial type. Polished brass structure and parchment shade. Vilanova defended the functionality, simplicity and purity of lines. He could be described as a modern classic, as is evident in this lamp. Catalan interior designer and cabinetmaker, Jordi Vilanova entered the School of Work and Artistic Trades of La Lonja in 1939. He completed his training in the workshop of Busquets, and between 1940 and 1953 he collaborated in the studio of Lluís Gili. Jordi Vilanova was founder and promoter of the Catalan art magazine "Questions d'Art" (1967-74). In 1974 he opened premises with a permanent exhibition of furniture and upholstery of his own design, forming part of the Official College of Interior Decorators and Designers of Barcelona and the SAD. His modern furniture and his way of resolving spaces were initially aimed at a large public of limited economic resources and, consequently, homes with less living space. However, this great majority did not understand his proposal. Instead, it was the Catalan bourgeoisie, eager to break with outdated stylistic canons, who embraced his work. His specialty was furniture for children, such as the Delta stool, which won the Delta de Plata Prize awarded by the ADI/FAD in 1964. He held exhibitions of his work in Scandinavia. Among his most representative designs are the Tiracord and Billar chairs (1961), the Montseny MP bunk bed (1961), the Tartera (1966) and Petit (1978) rocking chairs and the Z magazine rack (1987) designed together with his son Pau Vilanova Vila-Abadal. It is currently represented in the Design Museum of Barcelona.

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