Null ÚBEDA, AGUSTÍN (1925 - 2007)
Dessin. Signé dans le coin inférieur gauche. 2…

Description

ÚBEDA, AGUSTÍN (1925 - 2007) Dessin. Signé dans le coin inférieur gauche. 22,5 x 16,5 cm

284

ÚBEDA, AGUSTÍN (1925 - 2007) Dessin. Signé dans le coin inférieur gauche. 22,5 x 16,5 cm

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Estim. 500 - 550 EUR

ROSS LOVEGROVE (Wales, 1958) for ARTEMIDE. Table lamp "Aqua Cil tavolo", 2007. Die-cast aluminum base and structure. Steel shaft. Diffuser in hydroformed and mirror-treated aluminum. Measurements: 40 x 30 x 30 cm. The "Aqua Cil" series is distinguished by its wavy lampshade simulating the swaying of water, which contrasts with the sobriety of the die-cast aluminum shaft. It reflects the light to the outside in a wide but soft way. This series was presented at Euroluce 2007 in Milan. The designer Ross Lovegrove studied industrial design at Manchester Polytechnic, and later took a master's degree in design at the Royal College of Art in London, completing his training in 1983. From then on he worked for Frog Design in Germany, on products such as Walkmans for Sony, computers for Apple, etc. He then moved to Paris to work for Knoll International, where he was the author of the successful Alessandri office system. Later he was invited to participate in the Atelier de Nimes with Jean Nouvel and Philippe Stark, advising, among others, Cacharel, Louis Vuitton, Hermès and Dupont. He returned to London in 1986, and completed projects for Airbus Industries, Kartell, Ceccotti, Cappellini, Idee, Moroso, Luceplan, Dirade, Peugeot, Apple, Issey Miyake, Vitra, Alias, Tag Heuer and others, as well as for Japan Airlines and Tokyo Ito Architects in Japan. Throughout his career, Ross Lovegrove has won major international awards, and his work has been widely published, and exhibited in such prominent venues as MoMA and the Guggenheim in New York, the Axis Center in Japan, the Pompidou in Paris or the Design Museum in London, where since 1993 he has had his first permanent collection.

Estim. 300 - 400 EUR

NICOLAS MORIN (1959). Blown glass vase, 1997. Signed and dated on the base. Measurements: 14 x 16 x 16 cm. Nicolas Morin began working with glass in the family workshop in 1973. He traveled to Holland and Scandinavia in 1980, 81 and 82, where he had numerous contacts with glass artists (Wilhem Heessen, Sybren Valkema, Asa Brandt, Ulla Forsell, Ann Wolf, Wilke Adolfson, Monika Guggisberg and Philipp Baldwin, etc). He participated in the first International Symposium of Glass in France, in Sars Poteries, in 1982. He graduated from the School of Architecture of Marseille Luminy in 1984. He participated in the symposium "Art Verre Vin" in Saint Emilion 1984. He traveled to the United States in 1986. Exhibited at the "West Springfield Craft Fair". Collaborated with William Morris and Dale Chihuly in 1986. Held his first solo exhibition in Paris in 1987. He traveled to Scandinavia in 1992, where he visited in particular Finn Lingaard and Mikko Merikallio and Estonia to meet Vivii Ann Kerdo and Kaï Koppel, the first independent workshop in Eastern Europe. Participated in the International Symposium of blown glass in L'viv (UKR-1992) discovery of the Slavic part of the world of glass with the help of Catherine Sintès - Creation of a new line of sculptures with Catherine Sintès. Participated in the International Glassblowing Symposium of L'viv (UKR-1995). Participated in the Glass Symposium in Haapsalu (EST) in 2003, meetings with glass artists from the Baltic countries and the International Symposium of blown glass in L'viv (UKR-2004). He traveled to Japan with the presentation of Yoko Kuramoto and Makoto Ito in February 2005. He participated in the International Festival of Glass Stourbridge (UK, summer 2008).

Estim. 1 300 - 1 500 EUR

ROGER CAPRON (France, 1922 - 2006). Vase, ca.1970's. Ceramic. Signed on the base. Measurements: 29 cm x 14 cm x 14 cm. Vase made by the French ceramist Roger Capron. Of rectangular structure, chiseled with a synthetic sunflower on one of its sides, it presents an attractive aesthetic of archaic inspiration. Interested in drawing since he was a child, the ceramist Roger Capron studied Applied Arts in Paris between 1939 and 1943, and from 1945 he combined his artistic activity with teaching. In 1946 he settled in Vallauris, where he created a workshop known as Atelier Callis, fundamental in the renaissance of the art of ceramics in this locality. A few years later, in 1952, Capron acquired an abandoned ceramics factory in Vallauris and reopened it with fifteen workers; by 1957 his factory was already enjoying considerable international prestige. In 1980, one hundred and twenty workers were working there, and at this time he began to produce unique pieces that were exhibited in different countries, although the economic crisis led to the closure of the factory in 1982. In 1982 Capron created a new workshop under his own name. Throughout his career, this artist was awarded a gold medal at the Milan Triennale (1954), a silver medal at Cannes (1955), a gold medal again at the Brussels Architectural Ceramics Exhibition on two occasions (1957 and 1958), the French Ministry of Culture prize (1970) and the Prix Spécial de l'Architecture (1980).

Estim. 300 - 500 EUR

Agustín UBEDA (1925-2007) Sans titre Huile sur toile Signée en bas à gauche 46.5 x 55 cm

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