Null HERMÈS.

Sac Kelly 28.

Cuir crocodile noir. Structure trapézoïdale, légère…

Description

HERMÈS. Sac Kelly 28. Cuir crocodile noir. Structure trapézoïdale, légèrement plus large à la base, et rabat droit fermé par une lanière en métal doré. Anse courte sur le dessus. Quatre rivets de protection à la base. Livré avec une housse de protection. Il présente des traces d'usure, typiques de l'usage, notamment dans les coins inférieurs (visibles sur les photographies). Dimensions : 22 x 28 x 10 cm. Conçu en 1935, ce modèle Hermès a fini par être appelé Kelly lorsque Grace Kelly est apparue portant ce sac en 1956 dans une photographie publiée dans le magazine "Life", dans laquelle elle utilisait le sac pour cacher sa grossesse. Ce modèle est, avec le Birkin, l'un des plus convoités de la maison, véritable icône et étendard de la couture artisanale. Il faut environ dix-huit heures pour le réaliser et il est fabriqué par une seule personne, du début à la fin.

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HERMÈS. Sac Kelly 28. Cuir crocodile noir. Structure trapézoïdale, légèrement plus large à la base, et rabat droit fermé par une lanière en métal doré. Anse courte sur le dessus. Quatre rivets de protection à la base. Livré avec une housse de protection. Il présente des traces d'usure, typiques de l'usage, notamment dans les coins inférieurs (visibles sur les photographies). Dimensions : 22 x 28 x 10 cm. Conçu en 1935, ce modèle Hermès a fini par être appelé Kelly lorsque Grace Kelly est apparue portant ce sac en 1956 dans une photographie publiée dans le magazine "Life", dans laquelle elle utilisait le sac pour cacher sa grossesse. Ce modèle est, avec le Birkin, l'un des plus convoités de la maison, véritable icône et étendard de la couture artisanale. Il faut environ dix-huit heures pour le réaliser et il est fabriqué par une seule personne, du début à la fin.

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ANTONIO CITTERIO (Meda, 1950) for Xilitalia. Four "Eridiana" chairs, 1980. Steel and black leather. With publisher's label. In good condition, with wear and tear. Measurements: 81 x 54 x 46 cm; 66 cm (arms height). The filigree chair ''Eridania'' by Antonio Citterio was produced by Xilitalia around 1980. It consists of a tubular steel frame that combines curved and straight shapes. Special attention should be paid to the armrests that open slightly outwards. Antonio Citterio studied architecture at the Polytechnic University of Milan, and in 1972 he began his activity as a consultant and designer in the field of industrial design. His designs are currently part of prestigious collections such as that of the MoMA in New York.

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