Null Pair of Alfonsine chairs, Spain, late 19th century
En bois ébonisé et marqu…

Description

Pair of Alfonsine chairs, Spain, late 19th century En bois ébonisé et marqueterie d'os encrée de style Renaissance, surmonté d'un écu ducal. Elles sont manquantes et doivent être restaurées. Dimensions : 100 x 46 x 41 cm chacun

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Pair of Alfonsine chairs, Spain, late 19th century En bois ébonisé et marqueterie d'os encrée de style Renaissance, surmonté d'un écu ducal. Elles sont manquantes et doivent être restaurées. Dimensions : 100 x 46 x 41 cm chacun

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Estim. 1 000 - 1 200 EUR

French chair from the 90's. Wrought iron. Fabric seat. In good condition. Wear and tear typical of use and the passage of time. Measurements: 95 x 90 x 60 cm. The innovative design of the armchair in tender challenges the conventions of traditional furniture and wrought iron chairs. Wrought iron chairs originated in antiquity, but became popular during the Middle Ages and Renaissance in Europe. Blacksmiths perfected and hammering to create detailed designs, combining functionality and aesthetics. These chairs became symbols of elegance and durability, so they were featured in noble homes and outdoor spaces. Today they are valued for their beautiful craftsmanship and sturdiness, keeping alive a historic tradition in iron forging.

Estim. 400 - 500 EUR

Pair of armchairs; Spain, 1950s. Wood. They show wear in the upholstery. Measurements: 77 x 55 x 70 cm (x2). Pair of armchairs with wooden structure and upholstery in white fabric. The exposed wood traces a right angle in the armrests, describing a same line with the front legs, so that the soft and enveloping leather seat is balanced with this modern structure. However, the clean lines are softened by the warmth of a wood that shows off its qualities and grain. They show wear on the upholstery.

Estim. 700 - 750 EUR

WILLY VAN DER MEEREN (Belgium, 1923-2002) for Tubax, Belgium. Pair of chairs, 1950s. Chromed metal and yellow upholstery. Measurements: 70 x 60 x 53 cm; 41 cm (seat height). This pair of Belgian chairs features elements characteristic of midcentury forms with Nordic influence. For example, the backrest has a curvature for ergonomic back support. The metal frame and flowing forms make it a pair of exquisitely crafted and highly sophisticated chairs. Willy Van der Meeren studied architecture at the Royal Academy of Fine Arts in Ghent and began his career working for a furniture company. He founded his own company in the 1950s, Tubax, which produced furniture for schools, offices and hospitals. He is most famous for his "301" chair, a metal folding chair that was mass-produced and used in many public buildings in Belgium. He was a member of the design group De Coene in Kortrijk and taught industrial design at the Royal Academy of Fine Arts in Ghent. His work has been exhibited in numerous museums and design exhibitions, including MoMA in New York.

Estim. 1 000 - 1 500 EUR

Attributed to Manuel Barrón, sevillian costumbrist school of late 18th century - early 19th century Oil on canvas, measurements only canvas: 70 x 40 cm, medidas con marco: 81 x 55 cm

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