Null ANTONIO VAZQUEZ (Active in Valladolid between 1525 and 1561) "Descent of Ch…

Description

ANTONIO VAZQUEZ (Active in Valladolid between 1525 and 1561) "Descent of Christ" Huile sur panneau. Au dos, ancienne étiquette d'inventaire de collection (n° 360). Cette œuvre incarne le style d'Antonio Vazquez, l'une des figures les plus représentatives de la peinture de Valladolid du XVIe siècle, dans laquelle l'influence de l'art de Jean de Bourgogne s'est fait sentir. Les traits physionomiques de ses personnages, avec des profils clairs, des nez aquilins et des bouches entrouvertes, sont typiques de la production du peintre. Dimensions : 62 x 50,5 cm.

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ANTONIO VAZQUEZ (Active in Valladolid between 1525 and 1561) "Descent of Christ" Huile sur panneau. Au dos, ancienne étiquette d'inventaire de collection (n° 360). Cette œuvre incarne le style d'Antonio Vazquez, l'une des figures les plus représentatives de la peinture de Valladolid du XVIe siècle, dans laquelle l'influence de l'art de Jean de Bourgogne s'est fait sentir. Les traits physionomiques de ses personnages, avec des profils clairs, des nez aquilins et des bouches entrouvertes, sont typiques de la production du peintre. Dimensions : 62 x 50,5 cm.

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Estim. 3 000 - 3 200 EUR

Lounge Chair in the style of GIO PONTI (Milan, 1891 - 1979). Brass structure. Upholstery in blue and gray velvet. New upholstery in very good condition. Measurements: 96 x 72 x 80 cm. Armchair with brass tube feet and upper structure of angular shapes that embrace the user. It is a design halfway between the design tradition of the twentieth century and futuristic fantasy, dominated by a bichrome that avoids the stridencies and characterized by the play of planes and volumes. Architect, designer and academic, Gio Ponti is, along with Ettore Sottsass, the leader of the most sought-after Italian designers of the 20th century by collectors. In addition to the elegance of his furniture, sensitive to functionality, yet original at the same time, Ponti is recognized for his volcanic creativity, which led him to produce and design until the 1970s. His ability to give voice to new trends made him the "inventor" of the Made in Italy design concept. Ponti studied architecture at the Politecnico. After World War I, in which he had to serve, he worked as artistic director for the respected ceramic manufacturing company Richard-Ginori. Between 1923 and 1927 he partnered with architects Mino Fiocchi and Emilio Lancia, opening his own studio in 1928, and founded the famous design magazine Domus, through whose pages (and those of Lo Stile, a magazine he would found and edit in the 1940s) Ponti influenced international taste in design for more than fifty years. By 1933, Ponti partnered with engineers Antonio Fornaroli and Eugenio Soncini to create the Ponti-Fornaroli-Soncini studio, which firmly embraced the modernist aesthetic and worked until 1945. In 1950, Ponti was awarded the commission for what would become one of the iconic buildings of the 20th century, the 32-story Pirelli Tower in Milan. Throughout his career, Ponti played many different roles: architect, industrial designer, craftsman, teacher, painter, editor and journalist.

Estim. 800 - 900 EUR

JOAN ANTONI BLANC (Tortosa, 1940) for Tramo. Table lamp "Seta/Tulip", 1968. Double plastic lampshade in yellow and white inside that produces a spectacular light. Very good overall condition with some signs of age. Selection adi fad. Measurements: 56 cm (height) x 36 cm (lampshade diameter). The lamp "Seta/Tulip" is distinguished by its semi-oval lampshade that resembles the cap of a mushroom, as well as by the circular foot that rises slightly in its central area to join with the cylindrical shaft. It was published by Tramo (Trabajos molestos), a company founded by the iconic Catalan designer Miguel Milá. Joan Antoni Blanc was one of the founders of the Eina school and one of the main advocates of the need to incorporate technological knowledge and to orient design in industrial applications. He specialized in the field of design, specializing in furniture and lighting applied to the domestic, urban and office environment, although he has also developed several designs related to nautical, motoring and motorcycling. In 1972 he created "Estudi de Disseny Blanc", incorporating as assistant Pau Joan Vidal, an industrial designer trained at the Massana and Elisava schools, who later became his partner. He was also president of the Association of Professional Designers between 1986 and 1989 and participated in the creation of BCD. Among the products developed by Blanc, the "Cónica" lamp (Delta de Oro ADI-FAD in 1965), the "Cubiform" system of cabinets and drawers, the "semi-spherical" lamp (Delta de Oro ADI-FAD in 1966), the "Torre de Babel" set of expandable elements, the "globe" lamp (Delta de Oro ADI-FAD in 1966), and the "Torre de Babel" set of expandable elements (Delta de Oro ADI-FAD in 1966), the "Globe" lamp (Delta de plata ADI-FAD in 1968), the "Perfils" shelving and container system, the "Sinclina" lamp (Delta de plata ADI-FAD and prize for the best Spanish design at the Madrid fair in 1991), the "Prima 1000" shelving system and the "Escala" lamp. The Barcelona Design Museum is the repository of part of its documentary collections and three pieces designed by Joan Antoni Blanc: the "Cubiform" cabinet and the "Escala" and "Sinclina" floor lamps. The "Seta/Tulip" lamp is distinguished by its semi-oval lampshade that resembles the cap of a mushroom, as well as by the circular foot that rises slightly in its central area to join the cylindrical shaft. It was published by Tramo (Trabajos molestos), a company founded by the iconic Catalan designer Miguel Milá. Joan Antoni Blanc was one of the founders of the Eina school and one of the main advocates of the need to incorporate technological knowledge and to orient design in industrial applications. He specialized in the field of design, specializing in furniture and lighting applied to the domestic, urban and office environment, although he has also developed several designs related to nautical, motoring and motorcycling. In 1972 he created "Estudi de Disseny Blanc", incorporating as assistant Pau Joan Vidal, an industrial designer trained at the Massana and Elisava schools, who later became his partner. He was also president of the Association of Professional Designers between 1986 and 1989 and participated in the creation of BCD. Among the products developed by Blanc, the "Cónica" lamp (Delta de Oro ADI-FAD in 1965), the "Cubiform" system of cabinets and drawers, the "semi-spherical" lamp (Delta de Oro ADI-FAD in 1966), the "Torre de Babel" set of expandable elements, the "globe" lamp (Delta de Oro ADI-FAD in 1966), and the "Torre de Babel" set of expandable elements (Delta de Oro ADI-FAD in 1966), the "Globe" lamp (Delta de plata ADI-FAD in 1968), the "Perfils" shelving and container system, the "Sinclina" lamp (Delta de plata ADI-FAD and prize for the best Spanish design at the Madrid fair in 1991), the "Prima 1000" shelving system and the "Escala" lamp. The Barcelona Design Museum is the repository of part of its documentary collections and three pieces designed by Joan Antoni Blanc: the "Cubiform" cabinet and the "Escala" and "Sinclina" floor lamps.

Estim. 1 800 - 2 000 EUR

ANTONIO CITTERIO (Meda, 1950) for Xilitalia. Four "Eridiana" chairs, 1980. Steel and black leather. With publisher's label. In good condition, with wear and tear. Measurements: 81 x 54 x 46 cm; 66 cm (arms height). The filigree chair ''Eridania'' by Antonio Citterio was produced by Xilitalia around 1980. It consists of a tubular steel frame that combines curved and straight shapes. Special attention should be paid to the armrests that open slightly outwards. Antonio Citterio studied architecture at the Polytechnic University of Milan, and in 1972 he began his activity as a consultant and designer in the field of industrial design. His designs are currently part of prestigious collections such as that of the MoMA in New York.

Estim. 1 500 - 1 600 EUR

JOAN ANTONI BLANC (Tortosa, 1940) for Tramo. Floor lamp "Cigüeñal", 1968. Chromed metal. White methacrylate lampshade. Cigüeñal of foot adi-fad (extensible raises and lowers). Measurements: 150 cm (minimum height); 195 cm (maximum height); 36 cm (lampshade diameter). The "Cigüeñal" lamp is distinguished by its ingenious rotation system that allows it to be fixed in multiple positions, as well as by the delicate balance achieved between the thin chromed metal shaft and its large white methacrylate lampshade. It was published by Tramo (Trabajos molestos), a company founded by the iconic Catalan designer Miguel Milá. Joan Antoni Blanc was one of the founders of the Eina school and one of the main advocates of the need to incorporate technological knowledge and to orient design in industrial applications. He specialized in the field of design, specializing in furniture and lighting applied to the domestic, urban and office environment, although he has also developed several designs related to nautical, motoring and motorcycling. In 1972 he created "Estudi de Disseny Blanc", incorporating as assistant Pau Joan Vidal, an industrial designer trained at the Massana and Elisava schools, who later became his partner. He was also president of the Association of Professional Designers between 1986 and 1989 and participated in the creation of BCD. Among the products developed by Blanc, the "Cónica" lamp (Delta de Oro ADI-FAD in 1965), the "Cubiform" system of cabinets and drawers, the "semi-spherical" lamp (Delta de Oro ADI-FAD in 1966), the "Torre de Babel" set of expandable elements, the "globe" lamp (Delta de Oro ADI-FAD in 1966), the "Torre de Babel" set of expandable elements, the "globe" lamp (Delta de Oro ADI-FAD in 1966) and the "Torre de Babel" system of cabinets and drawers, the "Globe" lamp (Delta de plata ADI-FAD in 1968), the "Perfils" shelving and container system, the "Sinclina" lamp (Delta de plata ADI-FAD and prize for the best Spanish design at the Madrid fair in 1991), the "Prima 1000" shelving system and the "Escala" lamp. The Barcelona Design Museum is the repository of part of its documentary collections and three pieces designed by Joan Antoni Blanc: the "Cubiform" cabinet and the "Escala" and "Sinclina" floor lamps.

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