Null NELSON ZUMEL Baltar, Orense (1928) / Madrid (2022) "Landscape (Abstraction)…
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NELSON ZUMEL Baltar, Orense (1928) / Madrid (2022) "Landscape (Abstraction)", 1991 Technique mixte sur carton Signé dans le coin inférieur droit. Dimensions : 24 x 41 cm

141 

NELSON ZUMEL Baltar, Orense (1928) / Madrid (2022) "Landscape (Abstraction)", 1991 Technique mixte sur carton Signé dans le coin inférieur droit. Dimensions : 24 x 41 cm

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GEORGE NELSON (United States, 1908 - 1986) for HERMAN MILLER. Pair of armchairs 5681, 1960s. Steel frame. Fabric upholstery. Original condition with hardened foam. It is recommended to reupholster. Measurements: 72 x 80 x 82 cm; 40 cm (seat height). This pair of armchairs is in the midcentury design of the sixties, with a metal frame that houses soft seats and backrests. The design is fully modern but still conceived through dialogue with classic furniture. Worthy continuators of the international style. George Nelson graduated in architecture from Yale University (1928), and later studied art in Rome. He specialized in industrial, interior and exhibition design, and was, along with Charles and Ray Eames, one of the founding fathers of American modernism. While in Italy he traveled the length and breadth of Europe, meeting a number of pioneers of the modern movement, including Mies van der Rohe. In 1935 he joined the editorial staff of "Architectural Forum", a magazine of which he would first become associate editor until 1943, and then editorial advisor until 1949. During this period he worked with Frank Lloyd Wright on a special issue of the magazine, which marked Wright's return to the scene at the time. Nelson defended, sometimes fiercely, the principles of the modern movement, even irritating many of his colleagues who, as industrial designers, made, according to Nelson, too many concessions to the commercial forces of industry. The American believed that the work of a designer should serve to improve the world because, in his view, nature is already perfect, and man spoiled it by creating things that did not really follow natural rules. In 1945 Nelson began working for the firm Herman Miller, and it was then that he really began to design furniture, occupying the position of design director. That same year Nelson's first collection for the firm was published, beginning a collaboration that would result in some of the most famous furniture designs of the 20th century. Today his designs can be seen in the Vitra Museum of Design (he began collaborating with the firm in 1957) and the MoMA in New York, among many other public and private collections.

JAVIER TERCERO (Valdepeñas, Ciudad Real, 1970). Sans titre. Série Cyclic Universes V, 2022. Acrylique et aérosol sur toile. Catalogue joint de l'auteur. Signé, daté et titré au dos. Dimensions : 181 x 120 cm. Javier Tercero, Valdepeñas, a étudié le dessin technique et les arts plastiques, avec une spécialisation en "photographie artistique", à l'EASDAL de Tomelloso (C. Real). Il a présenté des expositions individuelles dans les lieux suivants Centre culturel "Cecilio Muñoz Fillol", Musée municipal et Centre d'exposition La Confianza de Valdepeñas ; Hall d'exposition-Primavera-Casa del Reloj, Madrid ; Centro de las Artes, Alcorcón (Madrid) ; IES Ramón Giraldo de Villanueva de los Infantes et EASDAL Antonio López, Tomelloso. Il a également participé à d'autres travaux collectifs, dont voici quelques exemples : IXe concours national Gregorio Prieto, Valdepeñas et musée de la ville de Madrid ; Xe concours d'arts plastiques Ángel Andrade de Ciudad Real ; LXIIe exposition nationale d'arts plastiques de Valdepeñas ; VIe concours Art et énergie Union Fenosa ; IXe concours national Vela Zanetti (Burgos) ; galerie Paloma Sanz (Madrid) ; concours international de photographie PHOCO ; prix Jesús Bárcenas de peinture musée municipal de Valdepeñas et López Villaseñor de Ciudad Real. Ses œuvres font partie de nombreuses collections d'une grande importance artistique, parmi lesquelles la collection de la Junta de Comunidades de Castilla la Mancha, la collection de l'Institut Fernando Zóbel. Cuenca, le conseil provincial de Ciudad Real, le conseil municipal de Manzanares, la collection d'art contemporain de l'UNION FENOSA. Museo de Pintura Hispanoamericana de Palacio de Losada et le conseil municipal de Torrelavega, Cantabrie. Parmi de nombreuses autres collections. Le catalogue de l'auteur est joint.