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mer. 12 juin

CHEVAL EN TERRE CUITE À GLAÇURE CRÈME Dynastie Sui (581-618) A RARE STRAW-GLAZED POTTERY FIGURE OF A HORSE Sui Dynasty Standing foursquare, with its head lowered and turned towards the chest, the long arched neck with a hogged mane, the back covered with a simple square saddle and blanket, covered overall with a finely crackled cream glaze. 45cm (17 3/4in) high. (2). Footnotes: 隋 白釉陶馬 Provenance: A European private collection The result of Oxford Authentication Ltd. thermoluminescence test no.C123q92 dated 12 December 2023, is consistent with the dating of this lot. 來源： 歐洲私人珍藏 本拍品經牛津熱釋光檢測編號C123q92（2023年12月12日），結果與其斷代相符 See a related example illustrated by Robert D. Jacobsen, Celestial Horses and Long Sleeve Dancers: The David W. Dewey Collection of Ancient Chinese Tomb Sculpture, Minneapolis, 2013, pp.152–153; see also John Baker, Appeasing the Spirits: Sui and Tang Dynasty Tomb Sculpture From The Schloss Collection, New York, 1993, nos.22 and 23. This lot is subject to the following lot symbols: * * VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne. For further information on this lot please visit Bonhams.com

Estim. 1 000 - 1 500 EUR

mer. 12 juin

STATUETTE DE MANJUSHRI EN BRONZE DORÉ Dynastie Ming (1368-1644), XVIe siècle A GILT-BRONZE FIGURE OF MANJUSHRI Ming Dynasty, 16th century Cast in its two-armed form, seated in dhyanasana on a double-lotus pedestal, the right arm held in vitarka mudra, the left hand lowered in the gesture of contemplation, holding two stalks of uptala lotuses rising up from the elbows along the arms to the shoulders, each supporting a khadga and prajnaparamita, wearing a fine diaphanous dhoti falling in elegant folds around his legs, a thin sash wrapped around shoulders and arms, the chest and the waist adorned with bejewelled necklaces, the rounded face with a serene and benevolent expression, with almond-shaped eyes and a gentle smile, his pendulous earlobes suspending large, the hair in a high chignon hidden behind a five-leaf diadem. 33cm (13in) high. Footnotes: PROPERTY FROM AN ITALIAN PRIVATE COLLECTION 意大利私人珍藏 明 十六世紀 鎏金銅文殊菩薩坐像 The current figure is closely related to a gilt-bronze figure of Avalokitesvara bearing a Zhengtong reign mark, in the Palace Museum Collection, Beijing, dated to 1441, illustrated in The Complete Collection of Treasures of the Palace Museum. Statues of Tibet, Hong Kong, 2008, p.232, pl.221. Compare also another rare example originally in the collection of Joseph Morak, dated 1447, sold in Sotheby's Hong Kong, 7 October 2015, lot 3113. For further information on this lot please visit Bonhams.com

Estim. 3 000 - 5 000 EUR

mer. 12 juin

RARE STATUETTE DE SHANCAI TONGZI EN BRONZE DORÉ Dynastie Ming (1368-1644) A RARE LARGE GILT-BRONZE FIGURE OF SHANCAI TONGZI Ming Dynasty Modelled as a young boy leaning forward with his head slightly turned upwards, holding his hands in adoration in front of his chest, palms together in the gesture of a firm and sincere heart, wearing a short cape over a long robe, and aprons tied around his chest with a belt, long sashes enveloping his arms and body, smiling, his face with a joyful expression, three tufts of hair rising from his head. Overall height 45cm (17 3/4in); The figure: 38cm (15in) high. (2). Footnotes: PROPERTY FROM A FRENCH PRIVATE COLLECTION 法國私人珍藏 明 鎏金銅善財童子立像 This charming figure of Sudhana, known as Shancai in Chinese, a young Indian boy who went on a pilgrimage seeking enlightenment and studying under 53 masters, was associated with the image of Guanyin from the mid-Ming dynasty. In visual representations of the Guanyin, the figure of Sudhana would appear next to the figure of Longnu, the Dragon King's daughter. These two youths are considered Guanyin's acolytes, and while there is no scriptural basis for this grouping, the two figures often appear together, Sudhana standing to the right of Guanyin, and the figure of Longnu on the left. See a related gilt-bronze example of Sudhana, published in Selected Gems of Cultural Relics - Newly Collected in the Palace Museum in the last Fifty Years, Beijing, 2005, pp.130-131, no.168. Compare with a larger gilt-bronze figure of Sudhana, dated to the 17th century, sold in Sotheby's Paris, 10 June 2015, lot 204, and another fine example sold in Bonhams Paris, 26 October 2023, lot 187. For further information on this lot please visit Bonhams.com

Estim. 40 000 - 60 000 EUR

mer. 12 juin

PETITE STATUETTE DE BOUDDHA SHAKYAMUNI EN BRONZE DORÉ XVIIIe siècle A SMALL GILT-BRONZE FIGURE OF BUDDHA SHAKYAMUNI Udayana style, 18th century Exquisitely cast and richly gilt, standing barefoot, with his left hand held in abhaya mudra, the gesture of reassurance, and right hand raised in varada mudra, the gesture of bestowal of charity, dressed in a full length diaphanous robe elegantly draped across his shoulders and falling in long undulating folds over his body and arms, his face serene and with a benevolent expression, his head covered with tightly curled whorls around a pronounced usnisa, the base later added. 14cm (5 1/2in) high. (2). Footnotes: 十八世紀 烏仗那式鎏金銅釋迦牟尼佛像 Provenance: Formerly in the collection of Auguste Gerard (1852-1922), director of the postal services in Beijing (1893-1897), and French ambassador to Japan (1906-1913), thence in the family by descent. 來源： 施阿蘭（Auguste Gerard）（1852-1922）舊藏，於1893年至1897年間任駐清朝公使，1906年至1913年間任法國駐日大使，後家族流傳。 The term Udayana refers to a legendary Indian sandalwood sculpture of Buddha, now lost but believed to have been brought to China in antiquity. The Udayana style, as it is known today, is ultimately derived from the Buddhist sculpture of ancient Gandhara from around the first century AD where Buddha images reflected Classical influence in their flowing robe. This style of Indian Buddhist sculpture where robes are depicted with pronounced folds was common throughout the region and readily accessible to Chinese pilgrims and travellers such as Fa-hsien who is known to have visited the area sometime around the beginning of the fifth century. Indian Buddhist teachers also travelled east, and the sculptural trend thus found its way to China. Testimony to this migration of style is seen in the renowned gilt bronze Udayana style Buddha in the Metropolitan Museum of Art, dated 486 and identified by inscription as Maitreya, where the Buddha's hands are held in abhaya and varada mudra, with the robe falling from the shoulders in stylised undulations, Denise Patry Leidy, 'Notes on a Buddha Maitreya Sculpture Dated 486 in the Metropolitan Museum of Art, New York', in Oriental Art, Winter, 2005-6, p.22, fig.1. The hands are shown with pronounced webbing between the thumb and forefinger, one of the lakshana or identifying marks of a Buddha. Compare with another figure cast in the same style and position, dated to the 18th century, in the collection of the Asian Art Museum of San Francisco, illustrated in Ulrich von Schroeder, Indo-Tibetan Bronzes, 1981, p.553, pl.158E. For further information on this lot please visit Bonhams.com

Estim. 20 000 - 30 000 EUR
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