Null MARIE ANTOINETTE BOULLARD-DEVÉ. “Mutations”. Mixed media on paper
On the ba…
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MARIE ANTOINETTE BOULLARD-DEVÉ. “Mutations”. Mixed media on paper On the back, signed, titled and located in Tangier in 1960 44x50 cm. Rust and defects.

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MARIE ANTOINETTE BOULLARD-DEVÉ. “Mutations”. Mixed media on paper On the back, signed, titled and located in Tangier in 1960 44x50 cm. Rust and defects.

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ARNE JACOBSEN (Denmark, 1902 - 1971) for Fritz Hansen. Rare armchair "Gaviota" or "FR 3207", Italy. Chromed tubular steel frame. Newly upholstered in brown leather. Provenance: original interior of the town hall of Mainz, Germany. Die-cut stamps on the base. The plastic frame that acts as a base has visible breakage in the photograph. Measurements: 78 x 61 x 52 cm. With his focus on simplicity of form and innovative function over trends, architect and designer Arne Jacobsen was a pillar of mid-century modern design. The model on tender has its roots in the Lily™ chair, which was originally known as the Series 8 and was designed for the Danish national bank. The first armless model (3108) debuted in 1968. The design was introduced with arms (3208) in 1970 at the Danish Furniture Fair. The chair design has also been called "Seagull". Architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction, then entered the Faculty of Architecture at the Royal Academy of Fine Arts. Among his most outstanding architectural works are St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in the same city, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also called "Chair number 7", of which more than five million copies were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the movie "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and today we can find them in collections such as those of the Victoria & Albert Museum in London or the MoMA in New York, among many others.

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.