Null Chinese "green family" porcelain vase probably from the Republic, 20th Cent…

Beschreibung

Chinese "green family" porcelain vase probably from the Republic, 20th Century. 44 cm high. Hole in the base to adapt it as a lamp.

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Chinese "green family" porcelain vase probably from the Republic, 20th Century. 44 cm high. Hole in the base to adapt it as a lamp.

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Schätzw. 1 600 - 1 800 EUR

Vase in the shape of an owl. Corrèze, France, 1950s. Polychrome ceramic. Very good condition. Measurements: 62 x 48 x 45 cm. Corrèze is one of the most important ceramic centers of the French territory. In this occasion the vase that we present adopts the synthesized form of an owl with big eyes.

Schätzw. 200 - 250 EUR

Table lamp from the 50s. White lacquered aluminum and brass. In good condition. Measurements: 33 x 17 x 27 cm. Table lamp raised on a suspended base from which emerges the golden brass shaft. The white lacquered aluminum lampshade projects light evenly.

Schätzw. 450 - 500 EUR

Vintage vase KROSNO JOSEFINA. Poland, 1970s. Glass. Measurements: 40 x 25 x 25 cm. This vase revives the Polish aesthetics of the 1970s based on the creation of innovative and inspiring forms. The combination of uneven curved formations in the mouth, added to the organic mottled white color that embellishes the body, make this vase resembles a sea plant. It is also reminiscent of the famous "Fazzoletto" vase by Italian Fulvio Bianconi, whose name comes from its inverted handkerchief shape.

Schätzw. 300 - 350 EUR

CARLO MORETTI (active from 1958). Vase, 1960s. Glass. Measurements: 31 x 15 x 15 cm. Carlo Moretti is a "factory of originals" founded in 1958 by Carlo and Giovanni Moretti, combining innovation and continuous research. The company itself defines its work as "Unique pieces, numbered and signed with its recognizable style, in stylistic key in constant search of new, clean and essential lines, supported by technical innovation. The exploration of new styles and their continuous experimentation with shapes and materials over the centuries confirms the ancient "know-how" of the Murano master glassmakers combining two contradictory cores, solid and liquid. A highly qualified know-how without forgetting their concrete responsibility to express contemporaneity while respecting the Venice Lagoon thanks to their sustainable behavior towards the environment".

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