33 - “ORIZZONTE,” JAN FRANS VAN BLOEMEN (Antwerp, Belgium, 1662 – Rome, 1749).

“ORIZZONTE,” JAN FRANS VAN BLOEMEN (Antwerp, Belgium, 1662 – Rome, 1749). “Landscape.” Oil on canvas. Relined. Features an information label on the back. Measurements: 72 x 101 cm; 86.5 x 115 cm (frame). This classical landscape is an example of the Arcadian vision that characterizes the work of Jan Frans van Bloemen, known as “Orizzonte.” The vastness of the horizon, the depth of space, and the warm luminosity enveloping the scene are some of the most distinctive elements of his painting. The composition combines lush nature with classical architecture and small figures that enliven the landscape, creating an idealized evocation of the Italian countryside. One of the work’s greatest attractions lies in its treatment of light. The chromatic gradation across the different planes—from the nearby greens and ochres to the blues of the horizon—reinforces the sense of depth and spatial breadth that earned the artist his famous nickname, “Orizzonte.” The work brings together the main features of Van Bloemen’s pictorial language: the combination of nature and classical architecture, the rigorous construction of space, the atmospheric treatment of light, and the presence of small figures that lend scale and liveliness to the whole. His painting draws on the Flemish landscape tradition but incorporates the monumentality and ideal of beauty found in the classical Italian landscape, particularly the influence of Gaspard Dughet and Claude Lorrain. The composition draws interesting parallels with other documented works by Van Bloemen held in public collections. Of particular note is *Paysage d’Italie* from the Petit Palais in Paris, which features a very similar structure, with large masses of trees framing the landscape, figures dressed in old-fashioned attire, and mountains receding into the distance. Also comparable is *Landscape with Lake, Castle, and Figures*, from the Banca d’Italia’s art collection, where the use of trees on the sides, the high horizon, and the arrangement of small figures in an Arcadian-inspired setting reappear. Another significant point of reference is *Classical Figures in an Italian Landscape*, housed at Hinton Ampner (National Trust), which shares with our painting the combination of vegetation, architecture, and figures integrated into a sweeping Italian landscape. Jan Frans van Bloemen was one of the leading landscape painters of 18th-century Roman Classicism. Initially trained by Anton Goubau, he settled in Rome around 1684, where he spent his entire career. Nicknamed “Orizzonte” for his extraordinary ability to depict vast spaces and atmospheric distances, he received major commissions from aristocratic families such as the Pallavicini and the Rospigliosi. His work is featured in internationally renowned collections, such as the Louvre, the Petit Palais in Paris, the Metropolitan Museum in New York, and the Los Angeles County Museum of Art.