25 - ADRIAEN DE GRYEF (Antwerp, Belgium, c. 1670 – Brussels, 1715).

ADRIAEN DE GRYEF (Antwerp, Belgium, c. 1670 – Brussels, 1715). “Dog with a Rooster.” Oil on canvas. Relined. Measurements: 31.5 x 41.5 cm; 48 x 59 cm (frame). This intriguing composition by Adriaen de Gryef stands out for its unique narrative approach within Flemish animal and still-life painting. In contrast to the typical hunting scenes and still lifes featuring hunted game that characterize much of his body of work, the artist presents here a confrontation between two living animals—a dog and an imposing black rooster—whose tense bodies and intense gazes capture the viewer’s full attention. Particularly noteworthy is the treatment of the plate and the elements surrounding it, rendered with a meticulousness that demonstrates the artist’s skill in reproducing different qualities and textures. The composition embodies the dynamism characteristic of the Flemish Baroque tradition, which draws on the animal-themed paintings of Frans Snyders and Paul de Vos. The arrangement of the bodies, the implied diagonals, and the interaction between the main subjects replace the stillness typical of traditional still life with a narrative of an almost theatrical nature. Here, Gryef demonstrates his ability to capture the behavior of animals and translate it into a small-format composition, in which expressiveness and naturalistic observation take center stage. A comparison with other documented works by the artist provides a better understanding of the uniqueness of this painting. In *Landscape with Dogs and Game*, housed at the Casa Martelli Museum in Florence, several dogs guard a group of killed animals while, in the background, the hunt continues. Both works demonstrate the importance Gryef places on the depiction of animals, the naturalism of their poses, and the relationship between the various figures in the scene. Adriaen de Gryef was a painter who specialized in still lifes, hunting scenes, and compositions featuring animals, working within the Flemish Baroque tradition. The son and pupil of the still-life painter Jacques de Claeuw, he received training focused on naturalistic observation and the meticulous depiction of animals and objects. In 1687, he is documented as a master in the Guild of Saint Luke in Ghent and later worked in Antwerp and Brussels, where he served a clientele particularly interested in hunting scenes and small decorative paintings. Among his stylistic influences, the great Flemish animal painting tradition of Frans Snyders and Paul de Vos stands out. His works are held in various public collections and European museums, including the Casa Martelli Museum in Florence, the Watford Museum, and the Hamburger Kunsthalle, among others.