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Candida Höfer (born in 1944) Palais Garnier, Paris XXX, 2005 Chromogenic print, signed, titled, dated, and numbered 6/6 on the reverse 180 x 230 cm Provenance: > Sonnabend Gallery, New York (label on the reverse) > Private collection, Paris Condition Report: Framed Trained at the Kunstakademie in Düsseldorf under Bernd and Hilla Becher, Candida Höfer belongs to the first generation of the Düsseldorf School of Photography, alongside Andreas Gursky, Thomas Struth, and Thomas Ruff. While her mentors devoted their work to black-and-white typologies of industrial architecture, Höfer turned her attention in the late 1970s to color and the interior spaces of cultural institutions—libraries, museums, theaters, and opera houses. Taken in 2005, this photograph is part of a vast series dedicated to Charles Garnier’s architectural masterpiece, which opened in Paris in 1875. True to her rigorous method, the artist photographs the building outside of opening hours, in the complete absence of human figures. This emptiness, far from being a mere documentary neutralization, acts as a revelation: it invites the viewer to perceive the memory of the place, the silent choreography of the volumes, and the traces of use inscribed in the public space.
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