126 - MISCELLANEOUS. — A collection of approximately 50 volumes, most of them bound, including a few from Albert Lantoine’s library; some defects and missing pages.

MISCELLANEOUS. — A collection of approximately 50 volumes, most of them bound, including a few from Albert Lantoine’s library; some defects and missing pages. — BARON (Jules). L'Art héraldique. Paris: Charles Osmont, 1678. 12mo, speckled brown calfskin with floral decoration; spine, caps, and corners restored; a few marginal stains (contemporary binding). First edition. Copperplate engravings. — CERUTTI (Jean-Antoine-Joachim). Apologie de l'institut des jésuites. No place, no date, 1763. 2 volumes in one in-12 volume, decorated marbled sheepskin (contemporary binding). Binding bearing the coat of arms of the Princes of Arenberg (with a coat-of-arms ex-libris vignette on the front endpaper). — CHOISEUL (Claude-Antoine-Gabriel de). Account of the Departure of Louis XVI on June 20, 1791, written in August 1791, in the prison of the High National Court of Orléans. Paris, Baudouin frères, 1822. In-8, decorated half-calf (contemporary binding). One of the first two editions, published by the same publisher and dated 1822. — [DECEMBRE (Joseph) and Edmond ALONNIER]. History of the Courts-Martial of 1852, or A Summary of the Events That Occurred in the Departments Following the Coup d’État of December 1851. Paris, Décembre-Alonnier, 1869. In-18, worn Russian half-leather with braided trim (contemporary binding). First edition. Copy enhanced with a signed autograph note referring to a passage in the work concerning Freemasonry. — GARGAS (Pierre-André). The Social Contract, nicknamed “The Masonic Union” [sic]. Toulon: P. J. Calmen, Year V. In-8 pamphlet, stapled. — GONCOURT (Edmond and Jules de). History of French Society During the Revolution. Paris, Didier et Cie, 1864. 18mo, half-percale Bradel binding; spine worn with traces of a label. Provenance: Albert Lantoine (autograph inscription on one of the front endpapers). — MARON (Eugène). A Literary History of the Revolution. Paris, Chamerot, 1856. 18mo, half-percaline with braided trim adorned with a gilded Masonic motif; water stains (modern binding). First edition. Copy enriched with a signed autograph note by Albert Lantoine pointing out a passage in the book devoted to Abbé Fauchet, the Cercle social, and Freemasonry. — RAMSAY (Andrew Michael). The Travels of Cyrus. London: Jacques Bettenham, 1730. Large quarto, speckled brown calf; heavily worn copy (contemporary binding). Copperplate engraving in the text. — REGAMEY (Félix). To Gambetta. Paris: Librairie de l’Art; Librairie patriotique; La Revue alsacienne, 1884. Folio, loose sheets in a worn folder (publisher’s folder). First edition. Illustration by the author. Autograph dedication signed to the architect Émile Trélat. — ROUSSE (Edmond). *Mirabeau*. Paris, Librairie Hachette et Cie, 1891. 16mo, percaline Bradel binding; worn binding (contemporary binding). Provenance: Albert Lantoine (autograph inscription on one of the front endpapers). — [SAINT-MARTIN (Louis-Claude de)]: [SUZE (Charles de). Suite des erreurs et de la vérité. Or, A Continuation of *The Book of Men Recalled to the Universal Principle of Science*. By a Ph..... Inc..... In Salomonopolis, published by Androphile. 5784 [1784]. In-8, half-shagreen, slightly worn (modern binding). A work that falsely claims to be a sequel to Louis-Claude de Saint-Martin’s *Des Erreurs et de la vérité*. — TATLER (The). London, printed for Jacob and Richard Tonson, 1759. 4 volumes, 8vo, speckled light calfskin; bindings slightly worn with tarnished spines (contemporary binding). Reprint of this periodical founded by Richard Steele, which counted Joseph Addison and Jonathan Swift among its contributors, and which originally appeared from 1709 to 1711. Copper-engraved frontispieces. Binding bearing the coat of arms of Count George Granville Leveson Gower (cold-stamped metal tools; with armorial ex-libris vignettes on the front and back endpapers). — VIGNOLE (Giacomo Barozzio da Vignola, known as Le). Course in Architecture. No place, Jacques Chéreau, 1747. In-4, half-maroquin, some pages missing, several leaves re-edged, including the engraved title page; one plate gridded in brown pencil (modern binding). Entirely engraved volume. — Etc.