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GIOVAN BATTISTA MORONI (Albino 1520 – Bergamo 1578) Portrait of a Nobleman Oil on canvas Old gilded wooden frame. The painting bears striking formal and compositional similarities to Giovan Battista Moroni’s portraiture, due to its marked realism and his ability to explore the psychology of figures from the nobility and the local bourgeoisie. The subject is depicted in a three-quarter profile, gazing directly at the viewer without any rhetorical idealization. This intimate and psychological approach is a hallmark of Moroni’s portraits. The use of austere, contrasting tones—dominated by the browns and blacks of the garments and the earth tones in the background—serves to highlight the facial features and the whiteness of the collar, evoking the typical chromatic restraint of the master from Bergamo. The precise yet non-academic depiction of the beard, the emphasis on the shadows on the face, and the rendering of the finely finished collar reveal a sensitivity to chiaroscuro reminiscent of the painter’s style. Last but not least. 57 x 44 cm.
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