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Filippo Germisoni (Rome 1664–1743) Madonna and Child Oil on canvas mounted on wood 54 x 54 cm The work displays the typical characteristics of the Roman school between the 17th and 18th centuries, a period strongly influenced by the legacy of Pier Francesco Mola and the classicist style of Carlo Maratta. In particular, the painting bears significant similarities to the few works by a painter now forgotten by historians but who, at the time, enjoyed a successful artistic career: Filippo Germisoni, who—as a testament to his importance—was a partner of Marco Benefial for several years. Filippo Germisoni (Rome 1664–1743) Madonna and Child Oil on canvas mounted on panel 54 x 54 cm The work displays the typical characteristics of the Roman school between the 17th and 18th centuries, a period strongly influenced by the legacy of Pier Francesco Mola and the classicist style of Carlo Maratta. In particular, the painting bears significant similarities to the few works by a painter now forgotten by historians, but who enjoyed a successful artistic career at the time: Filippo Germisoni, who, as a testament to his importance, was a partner of Marco Benefial for several years.
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