105 - Large Meissen table centerpiece in the shape of an eel trap, symbolizing the element of water

Large Meissen table centerpiece in the shape of an eel trap, symbolizing the element of water From the “Four Elements” series. Above a profiled round base is a naturalistic landscape featuring waves, rocks, and crustaceans, surrounded by rocaille work with pronounced relief. Above this, rising among aquatic plants, is the vase body in the form of an openwork basket, from whose opening a sculpted eel is crawling out. Below, a seated putto with a fishing net, holding a fish in his right hand. Polychrome painting with rich gilding. Designed by Johann Joachim Kaendler. Model No. 890. Restored; Minimally restored; sword mark. Height: 59 cm. The “Water” vase is part of a vase ensemble that Kaendler designed in 1747 for Count Heinrich von Brühl. He had already modeled a smaller set prior to the Brühl commission. In 1762, Frederick II of Prussia commissioned a set of this version as a gift for his wife, Elisabeth Christine, for Schönhausen Palace. In 1860, it was moved to the so-called Ivory Room in the Great Orangery in Potsdam, where it remains to this day. See Albiker, Meissner Porzellantiere, no. 236; Berling, Festschrift, p. 34; Keramos 208, 2010, p. 64. A porcelain centerpiece in the form of a large eel trap from the “Four Elements” series, representing water. Restored. Minor chipping. Crossed swords mark. Meissen. Second half of the 19th century.